collage poster design — Oversized title with two figures, in monochrome, overlapping layers

A photographic movie poster layers portraits of two adult men over a golden, smoke-filled city skyline at dusk, rendered in a dark sepia monochrome. The background is a deep, smoky brown-black gradient, heaviest at the top corners and glowing amber toward the center. In the upper half, a large portrait of an older man dominates: he wears a dark pinstripe suit and white shirt, his face turned downward in a somber three-quarter view. His thinning gray hair is combed back, and deep lines crease his forehead and cheeks. His gaze falls toward the lower left, avoiding the viewer, his mouth set in a weary frown. Warm golden light rakes across the left side of his face, leaving the right side in deep shadow. To the right of center, a second adult man appears in profile facing left, wearing a dark fedora and dark sunglasses that hide his eyes. His face is half-lit, the brim of the fedora casting a shadow across his brow, and faint stubble textures his jaw. Across the lower middle, the silhouette of a city skyline stretches in dark brown against the amber glow, with a tall art-deco spire rising near the center-left. In front of the skyline, two small full-body figures of adult men in hats and long coats aim handguns toward the viewer. The figure near the center-right holds his gun in both hands, extended straight at the viewer, his coat flaring slightly. The figure near the right edge mirrors the pose in single-handed aim, his face set in a grim stare. Both small figures are dwarfed by the two giant portraits looming above them. Near the bottom, a huge "TITLE" appears in distressed, weathered white serif capitals, spanning the full width with a grungy, eroded texture. The title's letters are tall and uneven, their edges eaten away as if by age. The city and figures sit above the title in a band of glowing amber haze that fades to black at the very bottom edge. The lighting is theatrical and low-key, with a strong amber glow blooming from behind the skyline and from the left, sculpting the older man's face in warm highlight while the fedora-wearing profile sinks into near silhouette, and drifting smoke softens every edge. Fine film grain and a smoky texture lie over the whole image, unifying the layered portraits and the skyline. Overall, the composition stacks the two looming portraits in the upper two-thirds over the small armed figures and glowing skyline band, its palette of amber gold, burnt umber, and deep black rendered in a gritty sepia-noir photographic style that creates a brooding, ominous mood of old-world criminal power.