minimalist poster design — Multi-line title in monochrome, stacked type lines

A minimalist poster in black-and-white engraving style shows a full-length nude adult woman drinking from a long hollow gourd, standing on the left against a plain white background. The background is pure unmarked white, stretching edge to edge with no scenery or shading. In the upper-left corner, the white space is completely empty. On the right side of the frame, a vertical stack of six bold black uppercase sans-serif words forms the "TITLE", each word centered on its own line. The black words are large, heavy, and evenly spaced, running from near the top to near the bottom of the right half. In the upper-right corner, the first word of the stack sits close to the top edge. In the lower-right corner, the final word of the stack rests above the white emptiness. In the center-left of the frame, the engraved woman stands full-length in three-quarter view, her body built from fine crosshatched black lines. She is an adult woman with a sturdy build, long dark wavy hair falling past her waist in heavy engraved waves, a beaded necklace at her throat, and bracelets on both wrists. Her head turns to the right in profile as she lifts a long hollow tube, like a gourd or bone, to her lips with both hands. One hand grips the tube near its middle while the other steadies its far end, her elbows bent. The tube is pale and smooth, contrasting with the hatched shading of her arms. Her gaze stays fixed on the tube, calm and absorbed. Her profile remains serene and focused as she drinks. The engraving renders every contour through dense parallel hatching, in the manner of an antique woodcut. The hatching grows denser along her torso's shadowed side, leaving the sunlit side nearly white. She stands barefoot with her weight on one leg, the other leg relaxed, her feet drawn with careful detail. In the lower-left corner, her bare feet form the lowest black marks on the page. Along the left edge, the white void frames her silhouette from head to foot. Along the bottom edge, only white space remains beneath her feet. The lighting is flat and graphic, with no cast shadows or directional source; all form comes from black hatching on white. The composition balances the dense engraved figure against a stark column of black type, its pure black-on-white palette and antique woodcut style carrying a dry, deadpan irony.