collage poster design — Oversized title, stacked type with multi-line title

An action movie poster in desaturated steel-blue duotone photography is divided between a flat textured title field on the left and a layered photographic collage on the right. The background is a grainy mid-blue paper surface with visible fiber texture, subtle darker mottling, and a fine printed grain, filling the whole frame behind every other element. In the upper-left quadrant, the word "TITLE" is stacked in two lines in enormous distressed white block capitals, the letterforms eroded, chipped, and speckled as if stenciled onto concrete and weathered, each line spanning nearly the full width of the left half with tight line spacing. A torn paper edge rips vertically near the center of the frame from the top edge to the bottom, its jagged off-white tear and curled slivers separating the flat blue field from the photographic imagery. In the upper-right corner, five dark silhouetted figures in police uniforms stand shoulder to shoulder against a pale blue haze, their peaked caps and shoulder patches barely suggested in the backlight. Below them, a large close-up of an adult man's face wearing dark wraparound sunglasses fills the upper-middle right of the frame, his jaw and cheekbones modeled in cool blue-gray tones, the sunglass lenses reflecting nothing but black. Directly beneath, a second man's stern face in three-quarter view turns toward the left edge at nearly twice life size, his shaved head, heavy brow, and strong jaw rendered in hard contrast with deep shadows pooling under the cheekbones. In the lower-right corner, a dark four-door sedan is caught with a slight motion blur, thin white light streaks trailing from its body, tucked partially behind the larger face. Small bright specular highlights glint along the torn edge and the car's wheel rim. The lighting is cool and even like overcast daylight on the flat panel, while the photographic faces carry a harder directional modeling that carves deep blue-black shadows into the eye sockets and jawlines. The color palette is a near-monochrome of desaturated steel blue, slate gray, and weathered off-white, with solid black shadows as the only deep accents. The overall composition balances the heavy eroded typography on the left against the stacked monumental faces on the right along the torn fault line, in a gritty blue-duotone photographic style that feels tense, macho, and confrontational.