portrait poster design — Oversized title in high contrast, overlapping layers

A horror movie poster shows a top-down view of an adult woman in her twenties in a white ballet dress lying flat, her wide-spread tutu forming a huge pale circle against a pitch-black background. At the top center of the frame, her head rests at the hub of the circle, dark hair pulled into a tight bun, her wide pale eyes staring straight up at the viewer. Her arms stretch outward to either side, palms pressed lightly against the tulle. Across the middle of the frame, the bodice of her dress is splattered with dark red bloodstains, flecks scattered across her collarbones and cheeks. Around her, layer upon layer of translucent white tulle radiates outward in a perfect fan, its fine mesh catching the light. In the lower half of the frame, the tutu's folds fall into soft shadowed pleats, thinning toward the black edge. At the left and right edges of the frame, stray wisps of tulle dissolve into the darkness. In the upper corners, the black background presses in tightly around the glowing white circle. The woman's expression is blank and unsettling, her lips closed, her gaze unblinking. Across the top of the frame, the word "TITLE" looms in enormous blood-red uppercase letters, each letter ending in a sharp downward drip. The red letters overlap the top rim of the tutu, their lower edges dripping like fresh paint. The lettering is heavy and slightly irregular, with jagged terminals that suggest fangs or stalactites. No other text appears on the poster; the black field stays empty above and below the central figure. The lighting is a harsh top-down studio light that bleaches the white tulle to near silver while leaving the background in total blackness, and it carves the woman's face into sharp relief with deep shadows under her cheekbones. The palette is starkly limited: blinding white and pale silver against absolute black, broken only by the blood-red title and the dark red spatter on the dress. Fine details such as the mesh of the tulle and individual blood droplets stay crisp and readable. The circular symmetry of the tutu makes the composition feel like a ritual mandala or an open eye. The smallness of the woman's head against the enormous skirt exaggerates her vulnerability and menace at once. Overall, the radial balance of the vast white tutu against the void-black background, rendered in a high-contrast photographic horror style with a palette of sterile white, abyssal black, and arterial red, produces a mood of cold, predatory stillness.