face-to-face poster — Split Layout · Split Layout · Oversized Title

A biopic poster split between white text above and two faces below, a red-and-black title at the middle. The top half is white: billing text names the Oscar-winning and Oscar-nominated leads; a tagline reads "TAGLINE"; red and black English letters read "TITLE"; the title appears as large red-and-black characters reading "TITLE"; text credits the director's famous prior film. The bottom half shows an adult mustached man and a blond adult woman in profile facing each other, a war scene behind. The lighting is clean and bright above, warm and dusty below. The overall composition divides the billing white from the wartime faces around the bold split title, joining a paper-white, title-red, and khaki palette in a classic biopic style that feels literary, passionate, and doomed, Hemingway and Gellhorn. The white is the page. The faces are the story. The red title is the love. The black is the war. The split is the marriage. The marriage is the war. The war is the 1937. The poster is the book. The book is the life. The black billing's characters are bold. The gray's Oscar is the prestige. The tagline's black is centered. The red English's letters are bold. The ampersand is gray. The red title's characters are huge. The black's weight is the name. The director's credit is black, small. The white's paper is clean. The man's mustache is dark. His shirt is stained. His gaze is left, intense. The woman's blond waves fall. Her profile is right, cool. The war's tanks are distant. The composition's split is the thesis. The top is the billing. The bottom is the bodies. The white is the intellect. The khaki is the war. The red is the passion. The black is the typewriter. The typewriter is the 1937. The 1937 is the Spain. The Spain is the love. The love is the war. The war is the marriage. The marriage is the divorce. The divorce is the 1945. The 1945 is the end. The end is the Gellhorn. The Gellhorn is the lens. The lens is the Hemingway. The Hemingway is the myth. The myth is the film. The film is the HBO. The HBO is the poster. The typewriter clacks, and the war rages. The love is the draft. The war is the edit. The split is the truth. The faces are the proof. The red is the love. The black is the war. Write. Fight. Love. Lose.