horror poster design — Oversized title with single figure, in vivid palette

An illustrated horror movie poster of a white colonial house under a swarm of red insects, set against a black and blood-red sky. Across the upper third, massive distressed off-white serif letters spell "TITLE" in two lines, the typeface weathered with speckled texture. In the upper-left corner, the black sky is torn by a faint diagonal streak of red cloud. In the upper-right area, inside the second O of the lower line, a small black silhouette of a wooden rocking chair appears. Behind the lettering, the sky is pitch black, torn by streaks and clouds of dark crimson red. On the left side of the frame, a dense swarm of small red moths rises in a diagonal column from the lower third toward the title, each insect picked out in glowing red. In the center of the frame, the red insect column breaks apart into scattered specks across the blackness. On the right side, the red sky lightens into a bruised, smoky maroon haze. Across the bottom third, a white illustration of a large Dutch colonial house sits centered, its gambrel roof, balcony with lattice railing, and rows of dark-shuttered windows rendered in stark white and gray. Two arched attic windows on the house glow red like half-moon eyes. On the left side of the house, a bare white tree with twisted branches reaches into the sky, and a tiny dark silhouette of an adult man holding a hammer stands at its base. On the right side of the house, two more skeletal white trees, one dense with fine branches, crowd the edge of the frame. In the lower-left corner, the red sky deepens to a glowing rust near the ground. In the lower-right corner, the red haze bleeds into the black at the edge of the trees. Across the bottom edge, the ground is rendered as plain off-white, nearly empty, giving the house a floating, cut-paper quality. A small sign near the porch is too small to read. The balcony railing, chimney, and dormers of the house are drawn with thin gray line work over the flat white fill. The lighting is stark and graphic: a flat, posterized illumination with no soft gradients, the white house and trees glowing against the void while the red swarm radiates its own lurid inner light, and the black sky absorbs all shadow detail. The moths on the left grow denser and brighter where they rise toward the lettering, thinning as they fall. The composition balances the heavy title block above against the solitary floating house below, divided by the rising insect column, and the severe two-color palette of chalk white and blood red on black, rendered in a bold screen-print illustration style, creates a cold, ominous unease.