collage poster design — Split collage with stacked serif title

A photographic crime-thriller movie poster built as a collage, split between a pale cream panel on the left and a dark night-city scene on the right. On the left side of the frame, a large off-white panel occupies nearly half the width, its surface clean and untextured. In the middle-left of the frame, a title in heavy black distressed serif capitals reads "TITLE", stacked in two lines with the numerals slightly smaller beneath. A bold curved black cutout sweeps from the top center down to the lower center, separating the pale panel from the photographic scene like a giant swoosh. In the upper-right portion of the frame, a large close-up face of a bearded man with short dark hair stares toward the viewer, lit dramatically against black. Below him, a woman with shoulder-length brown hair appears in profile, her gaze directed off to the left with a tense expression. To her right, an adult man in his twenties with tousled blond hair wears a red paisley bandana pulled up over his nose and mouth, his blue eyes visible above it. In the center-right, an older man with graying curly hair and a mustache, dressed in a dark suit and tie, looks off to the left with a grave expression. Across the lower third of the frame, a night cityscape stretches out: a hazy skyline of downtown towers, palm trees, and a glowing horizon. In the lower center, a black vintage muscle car sits parked on an asphalt road, its chrome details catching the streetlight. Beside the car stands a figure in a dark suit and ski mask, holding a dark duffel bag, facing away toward the city. On the left edge of the lower third, a highway overpass sweeps diagonally upward, its dark mass anchoring the corner. In the lower-right corner, the asphalt road fades into warm haze. The road surface is dark asphalt with a faint warm sheen from distant lights. No other legible text appears on the poster. The lighting is noir and high-contrast: the faces are sculpted by hard directional light against deep black shadows, while the lower cityscape glows with a hazy amber horizon light that silhouettes the car and the masked figure, and the cream panel remains flat and evenly lit. Overall, the poster juxtaposes four tense faces and a nocturnal heist tableau against a stark cream field in an asymmetric collage composition, executed in a photographic neo-noir style with a palette of cream, charcoal black, night blue, and a single red accent, evoking a tense, shadowy mood.