two-character poster — Oversized title with stacked lines and group of figures

A vintage painted horror movie poster of a giant housefly looming over a terrified adult woman, set against a plain off-white background. A band of black-and-white photographic faces stretches across the top edge, showing a dense crowd of screaming men and women framed by a torn-paper edge. In the upper-left corner, several cropped screaming faces peer out from behind the jagged paper tear. Across the upper right, more shouting faces fill the band behind the fly's translucent wings. In the center of the frame, the enormous fly dominates the composition, its bulbous body rendered in rough black and dark-brown painted strokes covered with fine stiff bristles. Its two huge compound eyes are glossy black domes ringed with iridescent green, each catching a small warm amber highlight. Two translucent veined wings rise vertically behind the body, rendered in smoky gray and pale gold with delicate branching vein lines. On the left side of the frame, a long jointed foreleg stretches upward and outward, ending in a spiky clawed foot. Below the head, sharp yellowish mouthparts and smaller dangling legs reach toward the lower half of the poster. In the lower-left corner, thin hair-like bristles fan off the descending legs, emphasizing the insect's scale. Across the center-right of the poster, a large bold red uppercase title with a thick white outline is stacked in two short lines reading "TITLE", overlapping the fly's wings. In the lower-right corner, an adult woman in her late twenties with dark curly hair reclines on an unseen ground plane, propped on one elbow and wearing a short lime-green dress with a teal-blue shadowed skirt. Her body stretches sideways with both bare legs extended toward the left, her feet bare and her knees slightly bent. Her face turns upward toward the fly with wide terrified eyes and parted lips, one hand raised beside her cheek. Across the lower third, the blank off-white background continues uninterrupted beneath the two figures. The lighting is flat and even like a studio-illustrated poster, with soft painted shading on the woman's skin, a subtle glossy sheen on the fly's compound eyes, and no cast shadows anchoring either figure to a ground plane. Tiny dark specks of paint texture fleck the fly's legs and the woman's dress, suggesting aged printed paper. In the bottom-right corner, the woman's outstretched hand presses flat against the empty background. Near the center, the overlapping of the red title, the dark insect body, and the pale wings creates the poster's strongest value contrast. Overall, the composition balances the massive diagonal sweep of the fly's body against the small cowering figure below, the palette of cream white, signal red, lime green, and sooty brown delivers a lurid 1950s painted-poster style, and the mood is one of campy vintage creature-feature terror.