close-up portrait composition — Stacked type, multi-line title with title across the bottom

A dramatic movie poster presents an extreme close-up of a man's marked face encircled by surgical hands, set against a pitch-black background. The darkness swallows the entire frame, leaving only the face, the gloved hands, and a glowing title visible. In the center of the frame, a middle-aged man with swept blond hair stares directly at the viewer, his expression blank and impassive. Thin black surgical guide marks cover his skin: dashed lines and small arrows on his forehead, cheeks, and chin, suggesting planned incisions. His blue eyes sit deep in shadow, and his full lips press into a flat line. He wears a dark suit, a crisp white shirt collar, and a patterned dark tie visible at the bottom of the frame. In the upper-left corner, a latex-gloved hand holds a pair of metal tweezers poised above his hairline. In the upper-right corner, a second gloved hand angles a small scalpel toward his right temple. On the right side of the frame, a third gloved hand presses a black surgical marker against his cheekbone. In the lower-left corner, a fourth gloved hand brings another scalpel up toward his jaw. The pale latex gloves glow faintly against the blackness, their wrinkles and folds catching the light. The surgical steel of the tools gleams with sharp cold highlights. Across the bottom of the poster, a title ("TITLE") glows in two lines of hollow neon-outline capitals, the smaller word stacked above the larger one, in warm amber-orange. The neon lettering casts a faint halo onto the darkness around it. The lighting is severe and clinical, a single warm key light sculpting the man's face from the front while the surroundings fall off into total black. Hard highlights trace the bridge of his nose and the surgical markings, and deep shadows pool beneath his cheekbones. The palette is nearly monochrome: warm amber skin tones against absolute black, punctuated by the sickly pale yellow of the gloves and the electric orange of the neon title. Shallow depth of field keeps the face tack-sharp while the hands at the frame's edges soften slightly. The four hands converge on the face from four directions, giving the composition a ritualistic, dissecting symmetry. The overall design balances clinical menace with formal portraiture, uniting surgical precision, void-like darkness, and glowing typography in a mood of cold, calculated transformation.