two-character poster — Two Figures · Oversized Title · Multi-Line Title

An afterlife comedy poster of a couple in white robes beside a billboard for the afterlife, a giant serif title at the bottom. The background is clean white, empty and bright, seamless and infinite to all edges. Their shadows fall softly to the right on the white. On the left side, an adult man in his forties with dark curly hair and an adult woman in her forties with long brown hair stand close, facing each other in loose white robes, holding hands, fingers interlaced, smiling tenderly and endlessly at each other, their bare feet on a thin strip of green grass at the bottom edge, the grass dewy and bright. The man wears a simple white tunic and trousers, the woman a flowing white dress with long sleeves, both barefoot. On the right side, a large roadside billboard shows a sunny street scene with a tram, palm trees lining the avenue, white buildings gleaming, a few small white clouds dotting the blue sky: at the top of the billboard, bold white sans-serif letters read "Judgment City", the letters tall and friendly and welcoming, with smaller white text beneath reading "Just MINUTES AWAY!", the word MINUTES emphasized in larger type; across the bottom of the billboard, a blue band carries white text reading "Turn Left Onto The Past Lives Parkway.", the blue vivid and cheerful, with white arrows at both ends, pointing left and right outward. The billboard stands on two gray metal posts, its back a plain, unpainted white panel. Below the billboard, centered on the white field, the title appears as large dark-red serif English capitals reading "TITLE", stacked in three lines, centered, the letters stately and tall and classic, with large dark-red serif Chinese characters beneath reading "TITLE", the characters equally stately and elegant. The lighting is bright and even, a cheerful daylight with soft shadows, everything crisp and clean, the white robes glowing, the fabric flowing softly. A gentle breeze lifts the hem of her dress. The couple glows faintly, lit from within. The overall composition balances the tender couple on the left against the jokey billboard on the right above the stately, classic red title, joining a pure-white, sky-blue, and deep-red palette, the green grass a small, fresh, living accent, in a bright commercial photographic style that feels whimsical, romantic, and gently, lovingly absurd, death as a pleasant, well-kept, friendly, welcoming, sunny, perfect suburb.