poster headline design — Oversized top title with group of figures and centered composition

A war movie poster of soldiers advancing through a dust-choked street, rendered in gritty desaturated photojournalistic style, set against a hazy beige-gray urban backdrop. The background is a smoke-filled street fading into pale dust, with dark utility poles and sagging wires slanting across the upper-right and blurred low buildings at the edges. Across the top of the frame, a huge flat-orange uppercase title reads "TITLE", its bold blocky letters spanning nearly the full width just below the top edge. In the center of the frame, the lead soldier fills the middle ground from the waist up, a adult man in his twenties in dusty desert-camouflage uniform and tactical vest, his face contorted in a shout as he looks toward the left. His combat helmet sits low, with clear protective goggles pushed up onto its crown and a chin strap hanging loose, and a slim boom microphone curves near his mouth. Both of his gloved hands grip a black assault rifle held diagonally across his chest, its barrel angled up toward the upper-right corner, with a curved magazine and tactical rails clearly visible. A black digital watch circles his left wrist, and a bulky brown backpack with straps and buckles rises behind his shoulders. Faint handwritten-style markings appear in dark ink on the front pouch of his vest. On the left side of the frame, slightly behind the lead soldier, a second soldier in matching helmet and camouflage crouches low, aiming his rifle toward the left edge. On the right side of the frame, a third soldier with a mustache and helmet-mounted goggles advances with a scoped rifle raised, half-dissolved into the drifting dust. In the lower-right corner, a large out-of-focus dark shape, the shoulder and helmet of a fourth soldier, blurs into the immediate foreground. Tiny glowing embers and pale sparks drift through the air across the middle of the frame, catching the light. Near the bottom edge, the dusty ground is barely visible beneath the soldiers' gear, littered with faint debris. The lighting is diffuse and overcast, a flat gray-yellow daylight filtered through thick dust that softens every contour, while the floating embers and a faint warm glow near the center add small hot accents against the murk. Overall, the lead soldier's diagonal rifle creates a strong thrust balanced by the two flanking soldiers and the heavy title bar above, in a palette of dusty tans, grays, and olive drab pierced by flat orange lettering and tiny ember sparks, rendered in a raw documentary combat style that feels chaotic and breathless.