ensemble poster design — Huge slab title between sunset sky and row of faces

A painted western movie poster arranges a blazing sunset sky above a dark empty midsection and four large portrait heads along the bottom, all rendered in a gritty 1960s illustrated style. The background opens with a turbulent sky of deep maroon and burnt orange clouds, a pale yellow sun glowing in the upper-left corner. In the upper-center of the sky, two small horseback riders appear as black silhouettes, riding away into the red haze with a pack animal trailing behind them. Across the upper third of the frame, a white distressed "ACTOR NAME" billing in rough western serif capitals stretches from edge to edge. In the center of the frame, a huge "TITLE" in weathered yellow-orange slab letters dominates, each letter pitted and worn like aged wood. On the left side of the title, a small orange revolver points upward, mirrored by an identical revolver on the right side, framing the words like bookends. Below the title, a broad band of near-black fills the middle of the poster, an expanse of smoky darkness with faint red undertones. Along the bottom third, four oversized painted faces crowd together, emerging from the gloom in warm dramatic light. At the lower-left corner, a bald dark-skinned man stares past the viewer, his face half-lost in shadow. In the bottom-center, a rugged man in a wide-brimmed brown cowboy hat and stubbled jaw glances sideways, his weathered skin catching amber highlights. To his right, a blond bearded man with narrowed eyes presses close, his golden hair rimmed with warm light. At the lower-right corner, a second blond man with a fuller face and mustache completes the row, his gaze fixed forward. In the upper-right corner, the dark sky lightens slightly where thin clouds catch the last red of the sunset. The men's clothing dissolves into shadow: dark coats, a glimpse of a pale fur collar, and the brim of the hat are all that read clearly. The lighting is theatrical and low-key, with a hot orange glow from the sunset above raking across the faces from the upper left, carving deep shadows under the hat brim and cheekbones while the midsection sinks into near-total darkness. The palette runs from pale yellow and burnt orange through deep maroon to soot black, with the warm faces floating like embers in the dark. Fine grain and visible brush texture give the painted surface an aged, pulpy tactility. The composition stacks sky, billing, title, void, and faces in strict horizontal bands, a bold symmetrical one-sheet built for maximum marquee impact.