movie poster design — Centered Group · Oversized Title · Top Title

A lone woman with a rifle faces down three looming masked giants. At the bottom, an adult woman in a gray sweater holds a rifle, her expression hard; behind her rise three enormous blue-tinted silhouettes: a masked figure, a skull-faced figure, and another masked figure, stacked like totems. The image is cold, doomy, and outnumbered. At the top, the text "TITLE" appears in enormous blood-red Chinese characters "猛攻" in a bold, jagged, horror face, arranged horizontally. No other text appears on the artwork. The woman's dark hair falls over her shoulders, her eyes fixed past the camera on something the viewer cannot see. Her gray sweater is plain and unarmored; only the rifle and the holster at her hip say she came prepared. The three giants glow from within, their blue auras bleeding into the black like deep-water bioluminescence. The skull-faced middle giant stares down with empty sockets, the worst of the three. Fold lines cross the image faintly, a VHS-era artifact that makes the horror feel found and analog. A knife blade juts in from the left edge, out of focus, a threat the poster will not explain. A rifle barrel crosses the right edge the same way, balancing the frame with menace. The masked giants' eye-holes are black slits; only the skull's sockets glow faintly blue. Her boots are planted wide, her stance the only grounded thing in a frame of ghosts. The red title's jagged strokes look clawed, as if the letters were slashed into the black. The woman's gray sweater is lit from the front, a single honest garment in a frame of specters. Her rifle points down and across her body, held low, not yet raised: the fight is about to start. The giants' shoulders merge into one blue mass, a wall of malice with three heads. The title's red bleeds faintly into the black around it, a halo of warning. Nothing in the frame smiles; even the skull's grin is a threat. The woman's breath is not visible, but the cold suggests it should be. The poster's symmetry is broken only by her: the giants are mirrored menace, she is the off-center truth. The black around the red title is not empty; it presses in like deep water. Icy, blue, horror-movie backlighting rims the giants while the woman stands in cold shadow. The composition stacks the three looming giants above the lone armed woman beneath the jagged red title, using an icy blue, black, and blood-red palette with a survival-horror style and a doomy, last-stand, they-keep-coming mood.