face-to-face poster — Oversized Title, Condensed, Diagonal

A minimalist duotone movie poster presents two dark teal human silhouettes facing each other, set against a grainy coral-orange field. The entire background is a flat, warm coral-orange surface with a subtle paper grain and faint halftone noise across it. Across the top half of the frame, two lines of massive condensed uppercase letters in deep teal dominate the space, reading "TITLE". In the upper-left corner, the blocky letterforms are cropped by the edge of the frame, their leftmost strokes cut off. Along the right edge of the top half, the second line of the same heavy lettering continues past the border, its final letter partially truncated. Below the title, the lower two-thirds of the poster hold the silhouetted scene. In the middle band of the frame, a wide empty stretch of unmarked coral-orange separates the title block from the figures below. In the lower-left corner, the dark teal silhouette of an adult man appears in right-facing profile, his shoulders and upper torso filling the corner. His short hair, brow, nose, and chin form a smooth continuous contour against the orange field. In the lower-right corner, the silhouette of an adult woman faces him in left-facing profile, her longer hair falling to her shoulders. Her nose, lips, and eyelashes form a crisp edge where the teal meets the coral background. Between the two figures at the center of the frame, a narrow band of orange keeps the two profiles facing each other without touching. Behind the man's head on the left side, the dark teal silhouette of a pier stretches across the background, its posts and beams reduced to flat shapes. A diagonal support cable cuts from the upper left of the pier structure toward the center of the frame. Small highlights of orange punch through the teal of the pier as tiny gaps and rivet-like dots. Across the bottom edge of the frame, the teal of both figures merges into a deep shadowy mass that anchors the composition. A fine speckle of grain is visible within the teal areas, especially dense around the woman's hair on the right. The lighting is flat and graphic, as if the whole scene were printed in two inks, with no gradients or cast shadows, only the hard contrast between the deep teal ink and the warm orange paper. No other text appears anywhere on the poster; the giant title is the only legible wording. Overall, the poster balances massive cropped typography against two facing silhouettes in a stark teal-on-coral duotone, rendered in a flat grainy print style that feels intimate, bold, and quietly tense.