stacked typography — stacked lines, multi-line title, serif type

A photographic movie poster shot from directly overhead: an adult woman in her twenties with long brown hair sits on a weathered wooden dock, seen from behind, one bare leg extended toward dark water in which submerged skulls are faintly visible. Across the upper third of the frame, the water spreads in dark, rippled green-black, its surface wrinkled by small circular waves. Superimposed over the water near the top, a title in tall thin white serif capitals stacked in two lines reads "TITLE". Beneath the translucent surface in the center of the frame, a cluster of pale human skulls looms in the murk, their eye sockets and teeth blurred by the water. In the middle of the frame, the woman's bare right leg stretches down from her seated body, her foot hovering just above the water with droplets glistening on her toes. Her long brown hair falls over her shoulders, completely hiding her face, and she wears a loose white long-sleeved shirt. Her hands grip the edge of the dock on either side of her body. Across the bottom of the frame, the wooden dock fills the lower third: gray-brown planks weathered and stained, their grain and water marks clearly visible. In the bottom-left corner, a black leather flogger with a red wrapped handle lies coiled on the planks, its many thin tails fanning out. In the bottom-right corner, a black leather strap fitted with a bright red ball rests on the wood, the ball catching a warm highlight. The lighting is warm late-afternoon sun raking low across the scene from the side: it gilds the woman's hair and leg, picks out the wet sheen of the planks, and turns the water's ripples into dark glass. The palette mixes murky green-black water with sun-warmed wood tones, punctuated by the alarming red of the two objects on the dock. The top-down angle flattens the scene into graphic layers: title over water, water over hidden skulls, body over dock. The composition is quietly menacing: the relaxed pose on the sunlit dock sits above the drowned skulls, and the red implements at the frame's lower corners introduce an undercurrent of threat.