portrait poster design — Symmetrical hunter-vampire duel under top title

A horror movie poster in lurid pulp-painting style stages a vampire showdown beneath a jagged yellow title on a stormy violet night. The background is a churning night sky of deep violet and black clouds, split by a sickly green-yellow glow behind the central figures. Across the top of the frame, the title appears as "TITLE" in large jagged horror-style yellow capitals with rough black edges. A smaller line of yellow text sits above the main word, rendered in matching brushy lettering. In the upper-left corner, a partial screaming adult vampire face with blood-red skin and bared fangs lunges into the frame, cropped by the edge. On the left side of the midsection, a wild-haired older adult man with a grim, wide-eyed stare grips two rough wooden stakes crossed before him. His gray-blond hair flies in loose tangles, and he wears a dark high-collared coat with a patterned cravat. The stakes are jagged and splintered, one held vertically and one angled across it like a makeshift cross. His hands are large and weathered, knuckles white around the wood. On the right side of the midsection, an adult blonde woman in her thirties in a low-cut white dress bares long white fangs in a snarl, her eyes narrowed. One hand with dark-red painted nails presses against her own chest while the other tugs at her dress's neckline. Her wavy golden hair falls past her shoulders, catching a pale highlight against the dark sky. At the center of the composition, the crossed stakes form an X that divides the hunter from the vampire. Behind the man's head, the sky glows an eerie acid green, haloing his wild hair. In the lower-right corner, a small dark church silhouette with twin crosses sits on a hill against a murky green horizon. In the bottom-left corner, the man's dark coat melts into black shadow, leaving only the red glow to define the edge. Across the bottom of the frame, a wash of blood-red light stains the foreground, suggesting firelight. The lighting is theatrical and expressionistic, a harsh frontal light bleaching the woman's skin and dress while green and red rim lights carve unnatural edges on the figures. The two figures lean toward each other across the center in a mirrored, symmetrical confrontation, the violet-black palette against acid yellow and blood red creates a garish clash, the rough pulp-painting style keeps every stroke visible and feverish, and the mood is campy, feverish gothic menace.