poster headline design — Oversized title with group on the left

A painted crime movie poster of a passionate embrace beside a menacing detective, set against a weathered beige background with a bold crimson title block. On the upper-left side, a painted adult man with dark wavy hair, wearing a white shirt with black suspenders, holds a blonde adult woman in his arms, their faces close as if about to kiss. The woman's long platinum-blonde hair tumbles over her bare shoulders, and she wears a sheer cream negligee with lace trim. Behind them on the far left, a wrought-iron bed headboard with curved scrollwork rises against a dark purple shadow. On the upper-right side, a heavyset older adult man in a brown trench coat and a brown fedora stands with a cane, his heavy face turned toward the viewer with a grim expression. Across the center of the frame, a large deep-red rectangular block covers the middle, its edges slightly irregular like a painted card. On the red block, huge hand-lettered yellow letters with black drop shadows, enclosed in quotation marks, spell "TITLE" in a jagged, brushy style. The upper word arcs above the lower word, the letterforms leaning and varying in size. In the lower-center area below the red block, a small painted vignette shows a border-town street: palm trees, a small checkpoint booth, and a sign reading "INTERNATIONAL BORDER". Tiny figures, a vintage car, and buildings in yellow and gray cluster around the checkpoint. On the left side of the vignette, a dark car appears damaged, with small figures gathered around it. In the lower-left corner, a faint artist signature is too small to read. In the lower-right corner, the small border-town vignette fades into the beige background. The background behind the upper figures is a mottled tan, like aged paper, darker toward the edges. The red block overlaps the woman's legs at the top and the town vignette at the bottom, stitching the three zones together. The detective's trench coat is rendered in heavy brown impasto strokes. The woman's negligee is painted in translucent cream washes that reveal the skin tones beneath. The yellow title letters carry thick black outlines and rough, hand-painted edges. The lighting is warm and painterly, as if lit by a hot afternoon sun, with soft shadows modeling the figures' faces and bodies while the red block sits flat and graphic, and small bright accents glint on the headboard metal and the checkpoint sign. Deep shadows pool under the detective's hat brim and behind the embracing couple. The composition divides into three bands: the intimate painted couple and looming detective above, the graphic yellow-on-red title at the center, and the miniature border town below, and the warm palette of beige, crimson, buttery yellow, and chocolate brown, rendered in a vintage hand-painted pulp style, creates a sultry, noir-tinged menace.