horror poster design — Large Face Close-Up · Oversized Title · Bottom Title

A horror poster fills the frame with a distorted television screen showing a giant orange unicorn puppet face. At the bottom, the Chinese title "TITLE" appears in large red horizontally-striped sans-serif characters with a jagged hand-drawn edge, set against a black lower band. The TV screen occupies the upper two-thirds, its curved glass surface covered in horizontal white glitch lines and scanline static. At the center of the screen, the orange plush unicorn fills the frame nose-to-camera, its single spiraled horn rising toward the top edge. The puppet's glossy black button eyes stare blankly forward through the static interference, their plastic shine dulled by the horizontal banding of the corrupted signal. A magenta-pink bandana with a soft fabric weave wraps around the puppet's neck in the lower part of the screen, its knot sitting slightly off-center beneath the chin. Behind the puppet, a garish cartoon landscape of turquoise sky, pink clouds, and green hills shows through the distortion. The glitch lines vary in thickness and brightness, with some searing white streaks tearing horizontally across the puppet's face while thinner gray lines flicker between them. The TV's black bezel frames the screen with a slight reflective sheen along the top edge. Below the screen, the black band holding the title spans the full width of the lower third. The unicorn's orange fur shows coarse plush texture with matted clumps and darker shading around the muzzle, each fiber catching the cold screen light unevenly. The spiraled horn carries purple and white barber-pole stripes. The puppet's stitched mouth line curves in a fixed unsettling grin beneath the static. Pixelation and chromatic aberration fringe the edges of the puppet's ears in the upper screen. The red title lettering shows striped gaps like a corrupted video signal. Faint reflections of a dark empty room ghost across the screen's glass surface, suggesting an unseen viewer sitting in front of the television. The cartoon background's colors bleed and smear where the glitch lines cross them, the pink clouds stretching into long smeared ribbons across the turquoise sky. The lighting is the cold flickering glow of a malfunctioning CRT screen, casting uneven white-blue light across the puppet's face. The rendering mixes plush toy photography with heavy VHS-style distortion artifacts and noise grain. The composition traps the grinning puppet inside the glitching screen above the stark red title, fusing candy colors with signal corruption in a creepy uncanny mood.