close-up portrait composition — Bold white title beneath red-and-black duotone close-up

A thriller movie poster of a man's face in tight close-up, rendered in a stark red-and-black duotone against a dark textured ground. The background is mostly black, broken by thin vertical lines and fine horizontal striations suggesting a radio dial or broadcast static. In the upper-left corner, the darkness is absolute, swallowing the frame's edge. On the left edge, a band of translucent scarlet red carries faint vertical scratches and a small black mark resembling a microphone silhouette. The red band fades downward into thin vertical streaks like a dissolving signal. The man's face occupies the center and upper-right of the frame, turned in three-quarter profile, his eyes glancing sideways with a wary expression. He is a young adult with light skin, tousled medium-length brown hair, and a strong jaw. The red duotone treatment saturates his skin in crimson tones while the shadows sink to near black. His brow is slightly furrowed, and his lips are closed in a tense line. In the upper-right corner, his tousled hair dissolves into the black background. A faint highlight traces the bridge of his nose, the brightest red on the face. The collar of a light-colored shirt is barely visible at the base of his neck, swallowed by shadow. The title's letters are tightly tracked, their edges crisp against the grainy ground. Across the lower-left, the vertical striations grow denser, like the grooves of a vinyl record. In the lower-right corner, the title ("TITLE")'s last letter nearly touches the frame's edge. At the center of the frame, the cheekbone catches the strongest red light. The grain of the image is coarse, like a blown-up newspaper photograph. At the bottom of the frame, the red band dissolves into black vertical streaks resembling dripping ink. Across the lower third, large bold white sans-serif capitals form the title in two lines, the second line indented and slightly smaller than the first. The white letters stand out sharply against the dark, textured ground. The lighting is dramatic side light falling from the left, raking across the cheekbone and leaving the right side of the face in deep shadow. A faint red glow rims the hair on the left side of the head. The palette is restricted to blood red, black, and white. The mood is paranoid and claustrophobic, the oversized face pressing against the frame edges.