close-up portrait composition — Oversized title, close-up, centered

A photographic close-up movie poster of an adult human face almost entirely swallowed by a glossy red protective hood, with only two wide-staring eyes visible above a black biohazard symbol. Across the top of the frame, the red fabric of the hood stretches tight, two dark brows visible just above the eyes. In the upper-left corner, the hood's fabric wrinkles toward the edge. In the upper-right corner, the red deepens into a maroon fold. Faint fabric wrinkles radiate from the hood's crown. On the left side of the frame, a pale gray-blue eye stares sharply to the side, its pupil reflecting a tiny white biohazard mark. On the right side of the frame, a hazel-gold eye mirrors the same sideways glance, its pupil carrying an identical small biohazard reflection. Dark lashes and shadowed lids frame each eye, lending them an alarmed, feverish intensity. In the center of the poster, a large black biohazard trefoil spreads across the hood where the nose and mouth would be, its three blades scuffed and textured. Over the symbol, a three-line title in large distressed white sans-serif capitals reads "TITLE", the top line oversized and the lower two lines smaller. The white lettering is weathered, with dark flecks of the black symbol showing through. A thin curved seam traces across the hood just below the eyes, like a stitched visor line. Toward the lower corners, the red fabric folds into soft darker shadows where the hood drapes over the shoulders. At the far left and right edges, thin straps of the hood blur into the surrounding red. The lighting is flat and frontal, slightly harsh on the eyes, with the black symbol absorbing light at the center. The palette is relentlessly red: saturated crimson fabric, deep maroon folds, and near-black shadows, cut only by the white of the eyes and lettering. In the lower third, the red deepens toward blood-dark tones at the bottom edge. No other features break the red field; the face reads as a stark warning sign. The overall composition presses the viewer into an inescapable face-to-face encounter, the two eyes and the central black symbol forming a tight triangular anchor, in a palette of alarm red and stark black rendered in stark clinical photography, carrying a chilling and contagious mood of outbreak dread.