split-screen poster — Oversized title with close-up, minimalist design

A minimalist split-layout movie poster divides the frame into three stacked horizontal bands around a black-and-white photographic close-up of an adult woman, set between plain off-white margins. Across the top edge, a deep band of warm off-white paper holds a single line of colossal navy blue geometric sans-serif capitals forming a "TITLE" placeholder. The letters stand nearly as tall as the band itself, their clean strokes and generous spacing giving the word an architectural, poster-like weight. In the upper-left corner of the middle band, the black-and-white photograph begins with a soft out-of-focus area of light gray. At the center of the frame, the adult woman's face appears in tight profile, her head bowed and her gaze lowered toward the lower-left corner. She wears her dark hair in a short bob with straight bangs, the strands rendered with fine grainy detail against her pale cheek. One eye with heavy dark lashes is visible, looking downward with a pensive, melancholic expression. On the left side of the frame, her bare shoulder and the curve of her back fill the lower part of the photographic band, dissolving into soft shadow. In the lower-right corner of the photograph, a thin delicate chain necklace traces along her neck and disappears behind her shoulder. The photographic band spans the full width of the poster, its top and bottom edges cut in perfectly straight horizontal lines. Across the bottom edge, a matching off-white band carries a second "TITLE" in the same navy blue geometric sans-serif capitals, split into two spaced words with a wide gap between them. These lower letters are equally monumental, their deep navy color anchoring the bottom of the composition. Near the bottom edge, the off-white paper shows a faint warm undertone, slightly darker than the top band. Along the right edge of the middle band, the woman's dark hair mass fades into a deep black shadow that balances the lighter tones on the left. The lighting is soft and diffuse within the photograph, wrapping the woman's face in gentle gray tones with low contrast, while the typography bands sit flat and evenly lit like printed paper. The palette stays restrained, pairing warm off-white paper, deep navy ink, and the full grayscale range of the monochrome portrait. In the lower-left corner of the photograph, a blurred pale shape suggests an out-of-focus hand near her face, adding a quiet human presence. The strict three-part division gives the poster its rhythm, and the portrait's inward gaze draws the eye to the center. The balanced triptych structure, the restrained off-white, navy, and grayscale palette, the stark modernist graphic style, and the quiet, melancholic mood form an elegant and iconic portrait layout.