close-up portrait composition — Split-toned face over huge red title

A cinematic movie poster fills nearly the entire frame with the extreme close-up of a man's face turned slightly to the right, set against a split background of deep black and blood red. The man's face dominates from edge to edge, cropped at the forehead and jaw, so close that his pores and stubble are visible. He is a young-to-middle-aged adult with pale skin, his green-eyed gaze angled sharply toward the right edge of the frame, never meeting the viewer. His short dark hair is cropped close, and a dark stubble beard covers his jaw and chin. Fresh blood streaks down from a wound at his hairline across his forehead, with a second smear above his right eyebrow and darkened patches on his left temple. His expression is blank and exhausted, his lips closed, his eyes wide with a hollow, haunted stare. The left third of the frame, behind his ear and jaw, dissolves into pure black shadow that swallows all detail. The right third of the frame washes the same face in deep crimson red, bleeding color into his cheek and temple. The boundary between shadow and red runs vertically along the bridge of his nose and the center of his forehead. His left eye catches a cold white highlight, while the right eye glows vivid green against the red wash. A fine film grain textures the entire image, softening the transitions between light and shadow; in the upper-right corner the red wash fades into dull maroon, while the upper-left corner is lost to black. Below his chin, a curved sliver of pale skin and dark clothing collar is visible before the frame cuts to black. The lower quarter of the poster is solid black, providing a stark backdrop for the title. Across the bottom third, a single-line title ("TITLE") in huge bold red uppercase letters spreads edge to edge. The letters are blocky and heavy, with one letter dropped below the baseline, giving the word a fractured, unsettled look. The title's red matches the blood-toned wash on the right side of the face, tying the two halves together. No other text appears anywhere on the poster. The lighting is dramatic side-light from the right, carving harsh highlights across his cheekbone, nose, and brow while the left side of his face sinks into darkness, with wet-looking specular glints on the blood. Overall, the poster balances the tight-cropped face against the void of black below, rendered in a gritty photorealistic crime-thriller style with a palette of blood red, pitch black, and pale skin, and a wounded, paranoid mood.