minimalist poster design — minimalist layout with overlapping elements and silhouette

A minimalist graphic movie poster divides the frame into a deep blue upper field and a clean white lower band. The blue extends unbroken to the top and side edges, a flat saturated cobalt, untextured and calm, filling the top two-thirds of the poster. From behind the bottom edge of the blue field, a cluster of black silhouetted arms and hands rises upward, fingers spread and reaching, the shapes stylized and flat like cut paper. The hands vary in size, suggesting a crowd just out of view. One open palm faces the viewer, fingers splayed wide. Near the top of the cluster, one arm extends horizontally, gripping a black rifle rendered as a simple black silhouette, its barrel pointing left, a small white puff of smoke curling from its muzzle and drifting upward. The rifle is a plain dark shape, its stock and trigger guard barely detailed. Around the arms, stylized flames in orange, yellow, and white lick upward, their tongues curling against the blue. In the lower-right corner of the blue field, a larger flame shape sweeps in from the edge, its pale yellow core glowing. Across the boundary between blue and white, a single-word "TITLE" is set in enormous white block letters with softly rounded, stencil-like forms, evenly spaced and slightly condensed. The flames appear to rise from behind and through the letters, partially overlapping their lower edges, and a thin dark charred edge traces the bottoms of the letters where the flames touch them. The white lower band is plain and empty, giving the composition room to breathe, while the composition's energy concentrates entirely in the lower half. The lighting is flat and graphic, with no shadows or gradients, the poster reading as a bold two-color print with flame accents. The cobalt field shows a faint paper texture near its edges. Two of the raised hands are clenched into fists while the others remain open. The smoke puff is small and round, tinged gray at its edges. The flames have soft, airbrushed edges where they meet the blue. The white band at the bottom is slightly off-white, warm like paper. One fist is raised higher than the rest, near the rifle. The charred edge has a rough, torn texture. The left and right margins of blue are equal in width. The effect is stark and poster-like, built for distance viewing. Overall, the stark vertical division, the restrained cobalt-white-and-flame palette, and the bold modernist graphic style evoke a mood of urgent, elemental uprising.