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#L0625

horror poster design — Oversized title, title across the bottom with serif type

L0625 · horror poster design — Oversized title, title across the bottom with serif type. Explore the reference image and prompt, then open this composition in the layout tool.

L0625 · Oversized title, title across the bottom with serif type

Reference details

Layout ID
L0625

Reference prompts

Layout reference prompt

A horror movie poster in a painted style is split into three bands: two pinned eyes at the top, a bold red title in the middle, and an opera house interior at the bottom, all on black. A thin white border frames the entire poster against the black background. In the upper third, two large human eyes of an adult woman stare out from the darkness, one on the left and one on the right, each seen through a row of vertical steel needles. The eyes are wide and bloodshot, the irises dark, with long lashes visible above the needles. Below each eye, a curved silver band holds the needles in place like a rack, its surface streaked with fresh blood. On the right eye, a single thick rivulet of crimson blood runs down from the band toward the center of the frame. A tiny artist's signature is scrawled in white at the lower-right edge of the right band, too small to read clearly. Across the exact middle of the poster, a "TITLE" is rendered in enormous flat red serif letters with elegant tapered strokes. The letters span nearly the full width of the frame, their classic roman forms stark against the black. In the lower third, the interior of a grand opera house is painted in miniature: five curved tiers of boxes sweep in a horseshoe around a central chandelier. Hundreds of tiny warm lights dot the box fronts, glowing like candles against the dark architecture. At the center of the tiers, a large circular chandelier burns with a brilliant white core, its light flaring outward. Directly beneath the chandelier, a small dark stage box or doorway sits at the bottom center of the frame. The ornate details of the balconies are rendered in fine silver-grey lines, fading into black at the edges. The lighting is theatrical and minimal: the chandelier is the single light source in the lower scene, while the eyes above are lit by an unseen cold glow. Highlights gleam on the steel needles and the silver bands, contrasting with the velvet black surrounding them. The palette is a stark triad: blood red, metallic silver, and absolute black, with the warm pinpricks of the opera lights as the only softness. The painted texture is smooth and airbrushed, with soft gradients in the darkness around the eyes. The black negative space between the three bands gives the poster a severe, graphic rhythm. Overall the composition is a chilling triptych: tortured eyes above, a commanding red title in the middle, and a tiny glittering theater below, all locked in black.