close-up portrait composition — Stacked lines with condensed type and sans-serif type

A movie poster in a bold high-contrast duotone illustration style shows an extreme close-up of an adult man's face filling the entire frame, rendered in deep indigo shadows and warm golden-yellow highlights. The background dissolves into saturated violet-blue darkness at the edges of the frame, inseparable from the face itself. In the upper portion of the frame, the adult man's forehead glows as a broad field of bright marigold yellow, bordered by flame-like edges of burnt orange where the light meets shadow. Dark, tousled hair sweeps across the top edge of the frame in deep navy strands. Across the middle of the face, oversized aviator sunglasses sit low on the nose, their thin metallic frames catching a warm glint. In the left lens, a small golden-yellow silhouette of a domed capitol building with columns and a tall cupola is reflected against a dark blue sky. In the right lens, the same domed building reflection repeats in identical miniature, centered in the lens. Below the glasses, the bridge of the nose catches a sharp wedge of yellow light. Toward the lower-center of the frame, the adult man's mouth and chin are barely suggested, melting into the purple-blue shadow. In the lower-left corner, darkness swallows the jawline entirely. On the right edge, the cheek curves out of the frame in a smooth yellow plane. At the bottom of the frame, the title appears in two stacked lines of bold white condensed uppercase sans-serif lettering reading "TITLE", centered and occupying nearly the full width of the poster. The letters are flat and graphic, with no texture or gradient, standing in stark contrast to the duotone illustration. No other text, credits, or logos appear anywhere on the poster. The lighting is rendered as a stark graphic treatment rather than natural light, with blown-out yellow highlights and crushed indigo shadows creating a posterized, screen-printed effect, the brightest areas glowing almost white-hot at the center of the forehead and the darkest areas sinking to pure violet-black. Fine grain speckles the transition zones between light and dark, suggesting a halftone print texture. The aviator lenses read as dark pools, each holding the tiny glowing building reflection like a secret. At the very bottom edge, a sliver of deep blue frames the title from below. The face stares directly forward, frontal and confrontational. Overall, the composition centers the monumental close-up face with the title anchoring the bottom, the palette clashing deep violet-blue against fiery golden-yellow, the style a gritty pop-art posterization, and the mood paranoid, conspiratorial, and electrically tense.