horror poster design — Red face in black void over stacked title

A horror movie poster in a bold red-and-black silk-screen style, stripped down to a single towering face against a void. The background is flat, featureless black from edge to edge. Filling the upper three-quarters of the frame, a gigantic adult man's face looms straight at the viewer, rendered entirely in saturated scarlet red. The face is an optical illusion: its surface is composed of dozens of tiny intertwined nude adult figures, dancers and revelers, their limbs and torsos merging into the planes of the brow, nose, and jaw. The eyes of the great face are dark hollow sockets, sunken and rimmed in black. In the upper-left corner, the black background presses in around the red hairline. Across the cheeks and forehead, the small figures twist in ecstatic or tormented poses, suggesting a macabre masquerade. On the right side of the frame, the red silhouette of the temple dissolves into the black. The mouth of the face hangs slightly open in a grimace, its lips formed by contorted bodies. Near the center of the frame, the bridge of the nose rises as the densest cluster of red forms. In the lower-left corner, the black void continues uninterrupted below the chin. Across the bottom of the frame, the title appears in ornate decorative lettering, reading as the placeholder "TITLE", arranged in three stacked lines with one word set in the same scarlet red as the face and the rest in white. The lighting is graphic and high-contrast rather than photographic: flat blocks of scarlet against pure black, with the interior modeling of the small figures suggested by fine black linework and no cast shadows. Across the upper third, the tangled red forms crowd together beneath the crown of the head. No tagline, credits block, or other text appears on the poster. The top of the red head is cropped close to the frame's upper edge. In the upper-right corner, only black remains beside the curve of the skull. The title's white letters carry flared, storybook serifs. Across the lower third, nothing but the title breaks the blackness. Overall, the poster balances the single overwhelming red face against generous black negative space, a scarlet-black-and-white palette, a psychedelic 1960s silk-screen style, and a mood of decadent, plague-haunted dread.