portrait poster design — Stacked lines, with diagonal composition and top title

A minimalist movie poster places a towering duotone illustration of an adult sheriff with a wooden club on the left, three small black-and-white film stills stacked at the lower center, and a bold serif title at the upper right, all on a plain off-white ground inside a thin rounded border. The background is a flat untextured off-white that fills the frame inside a hairline-thin dark border with softly rounded corners. In the upper-left corner, the off-white ground stands completely empty, emphasizing the figure's height. On the left side of the frame, a full-length illustration of an adult man dominates, rendered in a stark black-and-orange duotone like a woodcut. The adult man has short dark hair and a stern downturned gaze, wearing a dark buttoned shirt with a small star badge on the chest and dark trousers. A thick wooden club rests diagonally across his body, gripped in both hands, its pale orange length running from his right shoulder down past his left hip. He stands with legs apart in a confrontational stance, his weight planted firmly, the club's angle echoing the diagonal of his torso. The duotone treatment renders the man's form in solid black shadows and vivid orange highlights, the orange catching the edges of his arms, the club, and one side of his trousers. In the upper-right area, the title appears in large black serif lettering, the upper word reading "TITLE" in a condensed bold face above the even larger word "TITLE". The serif letters are classical and high-contrast, their black ink standing sharply against the off-white ground. In the lower-center of the frame, three small black-and-white photographic stills are stacked vertically like film frames. The top still shows an adult man in profile aiming a pistol with both hands extended. The middle still shows an adult woman with dark wavy hair leaning against a bar, wearing a sleeveless patterned top. The bottom still shows an adult man crouching outdoors, gripping a stick, with foliage behind him. The main figure's right leg overlaps the left edge of the stacked stills, layering the illustration over the photographs. In the lower-right corner, the border's rounded corner frames a final patch of untouched white. The thin border encloses the entire composition with a narrow margin of white on all sides. The lighting is flat and graphic: the illustration carries no naturalistic shadows, its black-and-orange separation doing all the modeling, while the small stills retain their own soft photographic lighting, creating a deliberate contrast between poster art and film frame. The overall composition balances the massive standing figure on the left against the empty white space and the small stacked stills on the right, the limited black-orange-and-white palette, woodcut illustration style, and stark asymmetry creating a mood of grim, righteous resolve.