stacked typography — Diagonal, Oversized Title

A vintage illustrated thriller movie poster of a rifleman on a rooftop stairway and an adult woman caught in a sniper's crosshair, set along a diagonal grey building. Across the top of the frame, a huge red three-dimensional title reads "TITLE", the smaller word "THE" stacked above the massive "SNIPER", its letters shaded in black with a slight upward tilt. From the upper-right corner down to the center, a tall grey concrete building slices the frame on a steep diagonal, its panelled facade rendered in cool pencil-grey tones. In the upper-left corner, a small adult man in a blue suit stands at the top of a long outdoor staircase, a rifle raised to his shoulder and aimed down toward the right. On the left side of the frame, the rifleman's blue suit is a small vivid accent against the cream sky. Near the center of the frame, the stair railing cuts a sharp diagonal line, and in the middle of the frame the crosshair's vertical line crosses the woman's face. In the lower-left corner, the staircase's lowest steps fade into pale shadow. The staircase descends from the center toward the lower-left in alternating bands of light grey and deep shadow. On the right side of the frame, an adult woman with dark curled hair in a maroon dress, brown fur-trimmed coat, and strappy high heels walks down the steps, her face calm and unaware. A thin white circular crosshair with cross-lines is superimposed over her torso, its lines extending past the circle's edge. In the lower-right corner, her elongated blue-grey shadow falls across the steps. The background on the left is a pale wash of cream and faint yellow sky. The lighting is flat and illustrative, an even daylight that models the figures in soft warm tones and the building in smooth greys, with long crisp stair shadows adding graphic contrast and no visible sun source. Along the bottom edge, the steps widen toward the viewer in foreshortened perspective. Overall, the diagonal building and staircase form a dynamic sweep from corner to corner, in a palette of blood red, concrete grey, and pale cream rendered in a crisp 1950s illustrated style that feels coldly suspenseful.