two-character poster — Top title, centered composition, negative space

A romantic illustrated movie poster of an adult man kissing an adult woman's cheek at the center, set against a pale watercolor Paris cityscape. The background is a wash of creamy off-white paper, with loose watercolor strokes suggesting a soft blue sky and distant Parisian rooftops. Across the top edge, an elegant "TITLE" in flowing black calligraphic script spans the width, its tall flourished capitals curling with ornamental swashes. The script's tall initial letters rise above the smaller ones, giving the title an airy, hand-lettered elegance. In the upper-left corner, pale blue and yellow watercolor washes bloom behind the script, with the faint white dome of a distant basilica sketched at the far left. In the upper-right corner, a small detailed Eiffel Tower rises in sepia ink against the blue wash, anchoring the Parisian setting. Along the right edge, the watercolor sky deepens to a soft cerulean behind the embracing figures. At the center of the frame, an adult man with neatly combed chestnut-brown hair leans in to kiss the cheek of an adult woman, his arms wrapped around her. The man wears a tan-brown textured blazer over a white collared shirt, his face turned away so only his profile and the back of his head show. The woman faces the viewer directly, her dark glossy hair pulled back, her blue eyes and soft pink lips painted in fine illustrative detail, a gentle smile on her face. Her green-blue eyes meet the viewer's gaze with warmth, painted with tiny white highlights that suggest reflected light. She wears a ribbed brick-red top, and her hand rests lightly against the man's arm. Along the left edge, sketchy ink strokes render a panoramic city view in gray and brown, with tiny figures and rooftops fading into the paper. Across the lower third, the watercolor illustration dissolves into untouched cream paper, leaving generous empty space below the embracing couple. In the lower-left corner, only the faintest pencil lines of the cityscape remain visible. In the lower-right corner, the paper stays nearly blank, with only a whisper of blue wash at the edge. The lighting is soft and even like bright daylight on paper, with no harsh shadows, allowing the watercolor pigments to glow translucently and the figures' faces to read clearly. The overall composition centers the embracing couple as the single warm focal point amid airy negative space, in a palette of cream, powder blue, brick red, and warm tan, rendered in a loose romantic watercolor illustration style that carries a tender, nostalgic, Parisian-inflected mood.