collage poster design — Oversized title with two figures on the right

A painted film-noir movie poster of adult detectives, a blonde woman and looming giant faces with guns and cigarettes, in saturated teal, yellow and deep navy vintage tones.

In the upper-left corner, a heavyset adult man in a brown fedora and tan overcoat puffs a curved dark pipe, his painted face stern beneath the hat brim.

A silver revolver is held loosely in his left hand, its barrel pointing downward, the metal catching a sharp highlight.

In the upper center, a full-length adult blonde woman with waved hair stands leaning against a dark blue shadow, wearing a pink satin dress with a thigh-high slit and red strappy heels.

One of her arms is raised, holding a thin cigarette between her fingers, her expression cool and distant as she gazes off-frame.

Across the upper right, a bold yellow hand-lettered tagline in tall slanted capitals reads "HATE IS LIKE A LOADED GUN!", the letters leaning with urgent energy.

On the right side of the frame, two giant overlapping adult male faces emerge from a teal glow, rendered larger than life.

The upper face has reddish hair and holds a cigarette to its lips, brooding eyes looking downward; the lower face is dark-haired with a hard direct stare.

Across the middle of the poster, a white mixed-case credit line stands as a small presenter placeholder.

Beneath it, three columns of large yellow block capitals rise as "ACTOR NAME" placeholders, separated by round dots.

In the lower center, an enormous pink script "TITLE" with white highlights and flanking quotation marks sweeps across the width.

A tiny white word floats above the title and a small white word sits below it, dwarfed by the lettering.

Beneath the title, two lines of smaller yellow capitals list further "ACTOR NAME" placeholders.

A line of tiny italic white production credits runs along the bottom edge beneath the names.

In the lower-right corner, a small painted vignette with torn-paper edges shows an adult man in a brown suit sprawled on a teal floor, one arm reaching outward, his face turned in pain.

Near the bottom center, a small white-and-blue shield-shaped studio emblem sits among the credits.

The lighting is painted theatrical noir: warm amber modeling sculpts the faces and the woman's pink dress, a cool teal wash glows behind the giant right-side faces, deep navy shadows anchor the entire lower half, and hard white highlights glint off the revolver's barrel and the cigarette tips.

A diagonal collage composition stacks the noir vignettes above a heavy typographic base, the palette of acid yellow and hot pink clashing with deep navy and teal, the lurid 1940s painted-poster style thickening a mood of hardboiled suspicion and violent tension.