duotone poster — Split portraits behind enormous crossing white title

A cinematic movie poster is split down the middle into two contrasting portraits: a sepia-toned bald adult swordsman on the left and a blood-red young adult nobleman on the right. The background on the left is a weathered parchment brown, while the right side burns in saturated crimson. In the upper-left corner, the bald adult man's scarred, shaved head emerges from the brown haze, his narrowed eyes and goatee giving him a ruthless cast. He wears a coarse dark robe with a heavy rope belt, and his calloused hand grips the handle of a massive cleaver-like blade held low across the lower-left corner. In the upper-right corner, the adult man in his twenties wears a tall black traditional hat and dark formal robes, his smooth face turned three-quarters toward the viewer with a cold, determined stare. His silk garments catch the red light in deep folds, and a sword hilt is visible near his hip on the right edge. Through the center of the frame runs a thin dark dividing line where the two color worlds meet. Across the middle of the frame, the title appears as "TITLE" in enormous rough white brushstroke capitals that span the full width, their edges dry and bristled. Beneath the main title, a smaller brush-script tagline reads "TAGLINE" in loose white handwritten strokes, also crossing the divide. The white paint of the lettering stands out violently against both the brown and the red grounds. In the lower-left corner, the cleaver's broad blade catches a dull brown highlight. In the lower-right corner, the red robes fall into near-black shadow at the frame edge. No credits or additional text appear anywhere on the poster. The lighting is hard and graphic, a flat frontal treatment on the left that textures every wrinkle of the bald man's face, against a hotter, more dramatic red wash on the right that sculpts the adult man in his twenties's cheekbones; the white brush type glows with its own painted luminosity. The color palette is a deliberate duel: aged sepia brown and umber against arterial crimson and black, with the stark white lettering as the only neutral. The photographic bases are heavily graded and grainy, giving both halves the texture of aged ink and dye. Overall, the composition stages a face-to-face confrontation across the central divide, uniting a stark duotone action style with a palette of sepia, crimson, and white that feels vengeful and charged with impending violence.