horror poster design — Oversized title in high contrast, symmetrical layout

A painted horror movie poster presents an adult woman's face split vertically down the middle, one half living and the other a human skull, set against a pitch-black background. Across the top center, a vivid splash of blood red erupts over the crown of the head, its droplets scattered like thrown paint. In the upper-right corner, faint strands of a cobweb shimmer against the darkness, barely visible in the gloom. The background remains near-black throughout, swallowing the edges of the composition in deep shadow. On the left side of the frame, the living half of the face belongs to an adult woman with pale skin, her expression frozen in a feral snarl. Her left eye is a striking icy blue, wide and staring directly at the viewer, ringed with heavy dark eyeliner. Her mouth gapes open to reveal a row of sharp white fangs, her lips painted a glossy blood red. Long dark hair with teal-green highlights sweeps across the left side, strands catching a cold blue sheen. Down the center of the frame, a thin stream of blood red drips vertically from the splash above, tracing the dividing line between face and skull. On the right side of the frame, the other half of the head is an aged human skull, its bone a mottled ivory darkened with grime. The skull's right eye socket gapes as a hollow black void, angled slightly downward. Its cheekbone and jaw show cracks and decay, with uneven teeth bared in a rigid grimace. Streaks of the adult woman's dark hair fall over the skull as well, merging the two halves at the temple. The two halves meet in a jagged, painterly seam that suggests torn flesh peeling back to bone. Across the lower third, a large "TITLE" appears in dripping, irregular uppercase horror letterforms colored a saturated blood red. The letters stretch vertically with elongated, melting strokes, occupying most of the lower third's width. Below the title, the black background continues uninterrupted to the bottom edge, leaving the lower area dark and empty. The lighting is dramatic and high-contrast, with a cold bluish rim light raking in from the upper left, edging the hair and the living cheek in sharp highlight while the background and the right side of the skull sink into deep black shadow, and a faint red glow radiates from the blood at the top. Visible brushwork runs through the painted surface, giving the living skin a smooth porcelain finish against the skull's rough, textured decay. Overall, the composition balances the living and dead halves in mirror symmetry around the central blood drip, its palette of blood red against cold teal-blue and deep black executed in a pulpy painted horror style that creates a menacing, seductive atmosphere of gothic dread.