poster headline design — rule of thirds with silhouette and top title

A cinematic movie poster fills the entire frame with a deep blood-red sky dominated by a colossal pale-yellow sun, its lower half dissolving into dark jungle haze. In the upper-left corner, a large white hand-brushed title reads "TITLE" in irregular jagged calligraphy, its sweeping strokes extending toward the center and across to the upper-right corner. The title's long underline stroke crosses in front of the sun's upper-left edge. In the upper-right corner the red sky darkens toward maroon at the very edge of the frame. A loose scattered formation of roughly fifteen small black helicopter silhouettes crosses the middle band from the left edge to the right edge, each tiny craft distinct against the glowing sun disc, some passing directly over the sun's face and others trailing toward the horizon line of haze. Across the center of the frame, the giant sun hangs half-veiled by thin dark red clouds, its surface mottled with subtle texture. A soft luminous band forms where the sun meets the treeline, thickening the red haze at the center of the frame. Along the bottom third, a dark jungle river valley unfolds: black palm and hardwood silhouettes line both banks of a winding river that reflects the red sky in broken streaks, its surface running from the lower-left corner toward the lower-right corner where it disappears into darkness. In the lower-left corner the near bank dissolves into solid black shadow, and in the lower-right corner the far bank's treeline fades into the red gloom. No figures appear anywhere in the scene. The lighting is a single overwhelming source: the huge low sun backlighting everything from behind and above the horizon, flattening the jungle into silhouette while the sky burns with gradations from molten amber at the sun's rim to deep crimson at the frame's edges, with no visible cast shadows on the ground. The red darkens almost to black at the bottom corners, where the river disappears. Small bright flecks in the sun's disc suggest drifting ash caught in its glare. The helicopters vary in size, the nearer ones showing distinct rotor blades against the sky. A thin band of lighter red separates the sun from the treeline, like a glowing seam. The title's brushstrokes vary in thickness, pooling white paint at the sharpest turns. Overall the composition balances the immense glowing sun against the heavy black landmass below, in a palette of blood red, molten amber, and solid black, rendered in a painterly photographic style with a mood of ominous apocalyptic grandeur.