horror poster design — Oversized title, with diagonal composition and centered layout

An abstract horror-thriller movie poster of grainy red-and-black textured artwork dominated by oversized white serif typography, set against a mottled field of blood-red paint and deep black shadow. The background consists of rough, brush-stroked crimson washes bleeding into pitch-black voids, with fine scratches, grain, and distressed print texture across the whole surface. At the top of the frame, jagged streaks of dark red rise like torn fabric against a black sky, and a thin vertical scratch line runs down near the center. In the middle of the composition, a looming black shape like a hooded head or a hunched figure swallows the light, its edges soft and painterly, its face lost in darkness. Across the center of the frame, huge white serif capital letters spell "TITLE", the strokes elegant and slightly eroded, spanning nearly the full width of the poster. On the right side of the frame just below the title, a smaller line of white serif numerals reads "TITLE", set in a lighter weight. Toward the lower third, the black shape recedes into another swell of textured crimson, flecked with black spatter and feathered dry-brush marks. In the lower-left corner, thin white scratches and dust flecks cut across the red wash. In the upper-left corner, a curved slab of lighter scarlet suggests a peeled surface catching dim light. In the upper-right corner, darkness thickens into an almost solid black mass. In the lower-right corner, the red wash deepens into shadow with faint blotches of black. Small white specks of dust drift across the entire image like ash. The lighting is flat and print-like, with no distinct source, so the reds glow as if lit from within while the blacks absorb all light, producing a harsh, high-contrast, X-ray-like texture. No people or small credit text appear anywhere on the poster; the design is a single typographic statement laid over abstract gore-red texture. The edges of the frame bleed the red wash out to the margins without any border. Across the middle band, the white letters show slight ink erosion at their edges, and the wide letter-spacing lets the red texture breathe through the counters. Beneath the title, the black mass curves like a bowed head, its lower edge dissolving into the crimson wash with soft feathered transitions. Toward the bottom-right, a faint horizontal drag mark crosses the red field, suggesting a hurried brushstroke, and a few hairline scratches run diagonally across the upper area catching a pale glint. In the extreme lower edge, the grain coarsens into visible print noise. Overall, the centered composition, the restricted blood-red and black palette, the distressed expressionist print style, and the sense of violent unease converge into one oppressive, dread-filled image.