Layouts
#L3673
close-up portrait composition — Large Face Close-Up · Oversized Title · Bottom Title
L3673 · close-up portrait composition — Large Face Close-Up · Oversized Title · Bottom Title. Explore the reference image and prompt, then open this composition in the layout tool.

Reference details
- Layout ID
- L3673
Reference prompts
Layout reference prompt
Two faces touch in golden darkness. In extreme close-up, a blond adult man in a tuxedo presses his cheek to a dark-haired adult woman's face, his eyes closed, her profile soft; golden rim light outlines his hair against the black. The image is tender, luminous, and fateful. At the bottom, the text "TITLE" appears in large white Chinese characters "第六感生死缘" in a bold, classic face, arranged horizontally, with white serif "MEET JOE BLACK" below it, underlined by a thin white rule. No other text appears on the artwork. Golden, low-key, romantic lighting carves the faces from the black like a memory. His blond hair glows like a halo, death as an angel. His closed eyes are peaceful, a visitor at rest. The bow tie's black is crisp against the white shirt, formal even in tenderness. Her dark hair is a shadow against his light, the living and the other. Their cheeks touch with infinite gentleness, a farewell in a gesture. The black background is total, a void that holds only them. The golden rim light is the frame's only color, warmth in the dark. The white title's classic forms are elegant and weighty, fate in type. The English credit's serif is refined and small, a whisper of the original. The thin white rule under the English is a line drawn under a life. Their stillness is the poster's power: no motion, only meaning. The tuxedo's white shirt is crisp, formal amid the tender. The black bow tie is a small formal anchor. Her profile's softness is the frame's quiet center. The golden light's source is unseen, a grace from nowhere. The black's depth is absolute, a velvet void. The title's white is stark and elegant, mortality in type. The serif's classic forms are timeless, a story for the ages. The thin rule is a final underline, a life summed. The composition presses the two faces together in the golden dark above the white title, His blond waves are golden, a halo of the visitor. Her dark lashes are long, a quiet beauty. The cheek-to-cheek is the film's whole story, tenderness as plot. The gold's warmth is the only color, a single note. The black's surround is a theater, the faces the play. The white title's weight is a headstone and a vow. using a black, gold, and white palette with a romantic-fantasy style and a tender, death-takes-a-holiday, luminous-farewell, everlasting mood.