portrait poster design — Oversized title in monochrome, centered composition

A high-contrast black-and-white photographic movie poster shows a tense adult man in a suit against a tilted grid of bright window frames, with a huge yellow brushstroke title across the top. The entire frame is rotated diagonally, so all architectural lines slice across the image at a sharp angle. In the upper-left, a large title in rough hand-painted yellow brushstrokes reads "TITLE", its letters arched and tilted along the diagonal. The yellow paint looks dry-brushed and jagged, glowing against the black field. Behind the title and the figure, a lattice of glowing white windowpanes stretches from the center toward the upper-right corner. At the right edge, the white grid thickens into a large overexposed architectural shape. In the center and right of the frame, an adult man with short dark hair, fair skin, and an anxious sideways glance fills most of the lower two-thirds. He wears a dark suit, a crisp white shirt, and a narrow dark tie, his mouth slightly open as if interrupted mid-speech. His right hand rises at the lower-left with the palm open and fingers spread in a halting gesture. His left hand, slightly blurred, grips the front of his own jacket at the center. In the bottom-left corner, his raised arm dissolves into deep shadow. In the bottom-right, his shoulder and lapel fade to black. A small round dark doorknob-like shape sits near the right edge beside his shoulder. No other text appears on the poster. A faint grain pattern gives the black areas a textured, printed-poster quality. The man's eyebrow is raised and his cheek hollowed, amplifying the anxious expression. The white shirt collar stands crisp against the dark suit lapel at his throat. The window grid recedes in perspective toward the upper-right, suggesting a tall building facade. His dark hair is neatly side-parted, catching a thin highlight along the crown. The lighting is stark noir, with a hard frontal flash-like light bleaching the man's face and shirt while plunging the surrounding black into impenetrable shadow, and the window grid burning white behind him. Overall, the diagonal thrust of the composition drives the eye from the yellow title down to the trapped figure in a claustrophobic dynamic balance, a palette limited to black, white, and acid yellow, a gritty photographic expressionist style, and a mood of paranoia and bureaucratic menace.