black and white poster design — Bottom title in monochrome, diagonal composition

A 1970s giallo-horror poster dominated by a giant black-and-white photographic hacksaw slashing diagonally across a flat scarlet-red field. Behind the saw, the background is a uniform vivid scarlet red, flat and untextured, filling all four corners of the frame, with only a faint vertical paper texture. At the top center, a large adult hand in a black leather glove with metal studs grips the saw's black handle, the knuckles and wrist strap rendered in crisp photographic detail. A silver buckle fastens the glove's wrist strap. The glove's fingers wrap tightly around the handle, tendons suggested through the leather. From the handle, the long silver saw blade with sharp serrated teeth cuts diagonally down the frame, its steel surface catching bright highlights along the tooth edge. Inside the curve of the saw, in the upper-right area, a black-and-white photograph shows a frightened adult woman with long dark hair and bangs, her eyes wide and mouth slightly open, wearing a white nightgown with a lace-trimmed neckline. Her body is angled as if recoiling, shoulders hunched toward the stairs behind her. She stands on a dark staircase, one hand gripping the railing, the steps and vertical balusters falling into black shadow behind her. On the right side of the frame, the saw's curved metal frame encloses her photograph like a border, its gray steel rim running from top to bottom. In the lower-left corner, the title appears in enormous white horror-styled block capitals with jagged, serrated bottom edges, reading "TITLE", the letters slightly uneven as if roughly cut. A soft dark shadow grounds the letters against the red. The title overlaps the saw blade's lower section, the white letters standing out hard against the red field. In the lower-right corner, the saw's metal frame curves down to a bolted joint near the bottom edge, two small bolts glinting in the flat light. The lighting is high-contrast flash photography inside the black-and-white inset, with harsh white highlights on the woman's frightened face and the saw's steel teeth against deep black shadows, while the surrounding scarlet field stays flat and evenly lit with no shading at all. The composition drives the diagonal saw from top center to bottom right against the stark red void, the palette of scarlet red, photographic black and white, and silver steel, in a graphic 1970s exploitation-horror style with a menacing and voyeuristic mood.