ensemble poster design — Oversized title, sans-serif type, minimalist layout

A flat-illustration movie poster of a queue of passengers beside a yellow taxi, set against a bold two-tone yellow and dark-green background.

Across the upper third, a giant "TITLE" in heavy dark-green sans-serif capitals dominates the bright yellow sky, flanked on both sides by small dark-green checkerboard squares evoking a taxi roof sign.

The squares are arranged in two staggered rows, three on the left and a mirrored cluster on the right.

In the upper-left and upper-right corners, the yellow field remains flat and empty.

Across the middle of the frame, a jagged dark-green treeline silhouette forms the horizon, its uneven canopy edge separating the yellow sky from the deep green ground below.

A few rounded bush shapes break the canopy line, and the silhouette's edge is softly irregular.

Along the bottom edge, eight illustrated figures stand in a loose queue on the green ground, rendered in simple flat colors with minimal facial detail.

On the left side of the queue, an adult woman in a dark chador and white headscarf holds a phone to her ear and a bouquet of red flowers; beside her stands a shorter adult man in a blue cap and blue shirt holding a large yellow bag.

In the center-left, a shorter adult woman in dark clothing with a yellow backpack points toward the front of the line, next to two adult women in patterned headscarves jointly holding a blue fishbowl with a red fish.

In the center of the frame, a tall adult man in a navy suit and red tie checks his wristwatch, while a shorter adult man in a gray shirt and dark vest looks at a mobile phone.

On the right side of the queue, an adult woman in a dark blue chador and patterned headscarf opens the rear door of a bright yellow taxi cab; through the window, an adult man with glasses is visible in the driver's seat.

At the far right edge, the yellow taxi with a black-and-yellow checker stripe along its side is cropped by the frame, its black tire and hubcap detailed in flat shapes.

A small amber roof light sits atop the cab, unlit.

The lighting is flat vector-illustration daylight with no visible light source or cast shadows; small soft ellipses beneath each figure suggest ground contact, and every color sits at full matte saturation.

Overall, the poster stacks a monumental typographic sky above a small frieze of waiting passengers, its strict two-color palette of taxi yellow and deep green rendered in a minimalist flat-vector style that feels wry, orderly, and quietly observational.