poster headline design — Centered Group · Oversized Title · High Contrast

A crime comedy poster of a panicked man among marijuana leaves and guns on yellow, a giant white title at the middle. The background is bright yellow. At the top, black text references a famous prior film; below, billing lines name the Oscar-winning actress and actors with their prior films. In the center, a Black adult man in a suit looks terrified, flanked by a blond woman in blue with a gun and a suited man with a gun; behind them, giant green marijuana leaves, a decorated skull, butterflies, pills, cash. Two white slogans read "TAGLINE" at the left and right. Across the middle, the title appears as giant white characters reading "TITLE", the letters distressed, with white English letters beneath reading "TITLE". Below, more cast members among the leaves; the release line "3.30" in red with the tagline "加班做功德" beside it; a dense strip of tiny credit text at the very bottom. The lighting is bright and garish, the yellow blazing. The overall composition traps the terrified lead in the leafy chaos above the massive white title, joining a canary-yellow, leaf-green, and white palette in a loud photographic-collage style that feels frantic, funny, and unhinged, the boss is bad. The leaves are the business. The guns are the HR. The skull is the mascot. The white title is the scream. The yellow is the panic. The poster is a bad trip, played for laughs. The gringo is in trouble. The trouble is the movie. The man's suit is dark, rumpled. His tie is loose. His eyes are wide, terrified. The blond woman's blue dress is bright. Her gun is black, raised. Her expression is cool. The suited man's gun is aimed. His face is stern. The marijuana leaves are huge, detailed. The skull's paint is colorful, Mexican. The butterflies' wings are yellow and black. The pills are white and green. The cash is stacked. The white slogans' text is bold, slanted. The white title's distress is textured. The letters are massive, cracked. The English below is small, white. The red date's numbers are bold. The tagline beside is red, cheeky. The tiny credits are a dense wall. The yellow's brightness is the panic. The green's lushness is the product. The white's starkness is the scream. The poster's chaos is the comedy. The guns are the stakes. The leaves are the business. The skull is the warning. The butterflies are the irony. The title is the verdict. The boss is bad. The movie is worse, funnier.