glowing text design — Serif type with bottom title and centered composition

A horror movie poster shows the smeared silhouette of an adult man seen through wired safety glass, set against a sickly yellow-green stained background. The glass surface fills the entire frame with a dense diamond-patterned wire grid that fragments and distorts everything behind it. At the center of the frame, the adult man's head is a blurred oval, with a dark gap where his open mouth appears to scream. His thin arms rise on both sides of his head, nearly spanning the full width of the frame. On the left side of the frame, his left hand presses flat against the glass near the top edge, fingers spread wide. On the right side of the frame, his right hand mirrors the gesture, the palm large and clearly defined through the distortion. Near the upper-right corner, dark rust-red blood smears and two distinct bloody handprints streak the glass beside the raised right hand. In the lower-left corner, another dark handprint presses against the pane above faint red spatter marks. Across the lower-right area, smaller faded handprints and thin blood trails dot the glass near the figure's hip. At mid-height, his shoulders form a broad dark horizontal band of shadow behind the wire mesh. The torso below dissolves into a dark vertical blur, with no distinct clothing or anatomical detail visible through the distortion. Fine moire bands ripple across the figure's face where the wire grid bends the light. Behind the glass, the background is a mottled wash of pale lime, mustard yellow, and olive, darkening toward the vignetted edges. Faint cracks, age spots, and grime speckle the glass surface. Near the bottom of the frame, a stylized "TITLE" stands in tall white serif lettering with an ornate oversized initial, and beneath it a smaller bracketed subtitle line in the same white serif. The lettering is crisp and luminous against the dark lower portion of the glass. The lighting is flat, diffuse, and clinical, glowing from behind the figure as if from an institutional light panel, so the body reads as a dark shadow with soft luminous edges and no sharp cast shadows. Colors are restricted to desaturated chartreuse, grimy olive, and bone white, with the dark rust-red blood as the only warm accent cutting across the murk. The raised arms, stacked handprints, and centered head form a rigid vertical symmetry that locks the eye in the middle of the frame. The symmetrical composition holds its dread in strict balance, in a gritty clinical-horror photographic style, with a palette of sickly yellow-greens and dried-blood reds carrying a mood of helpless, suffocating dread.