ensemble poster design — Masked giant portrait over wide condensed title

A post-apocalyptic movie poster stacks two worlds: the enormous masked face of an adult woman in her twenties filling the upper two-thirds against pale off-white, above a war-torn landscape with armed survivors and helicopters along the bottom third. In the upper half of the frame, the woman's face fills the width edge to edge, her warm brown eyes staring directly at the viewer through the eye slots of a scratched grey metal muzzle mask. The mask covers her nose, mouth, and jaw with a dull gunmetal plate, pierced by angular cutouts for eyes, nostrils, and lips, its surface scuffed with scratches and dark grime at the edges. Black straps and buckles fasten the mask around her ears and jaw, disappearing into her short dark hair at the top edge. Her skin is a deep warm brown, softly lit, with a calm unblinking gaze that reads as both innocent and unsettling. On the left and right edges of the upper section, the pale background glows in flat off-white, isolating the head like a specimen portrait. Across the middle of the poster, a large title reading "TITLE" runs in a single line of distressed rust-brown condensed uppercase letters with eroded, stencil-like texture. The title's color echoes dried blood against the pale ground, its letters spaced wide across the full width. Below the title, the lower third drops into a desaturated battlefield rendered in olive, grey, and ash. In the lower-left area, five figures walk toward the viewer along a dirt track: an adult soldier in camouflage fatigues carrying a rifle leads, followed by a small adult human figure in a bloodstained pale t-shirt, a second armed adult man, an adult woman in a grey sweater gripping a rifle, and an older adult man trailing behind. To the left of the group, a wrecked car draped in camouflage netting slumps at the roadside, its windows dark. In the background, two military helicopters hang in a smoke-streaked grey sky, one near the center and one larger at the upper right of the lower scene. On the right side of the lower third, pale wildflowers and dry brush blur in the foreground, with a toppled pale vehicle behind them. Far in the distance, a ragged line of small shambling figures stretches across the horizon. The lighting is flat and overcast in the lower scene, like daylight diffused through smoke, flattening shadows and muting every color, while the woman's face above is lit by soft frontal studio light that models the mask's scratches and the sheen of her eyes. In the bottom edge, dust and rubble texture the ground in gritty detail. The palette of the lower scene is washed in desaturated olive drab, concrete grey, and faded khaki, sharply divided from the pale bone-white and gunmetal of the portrait above. At the center of the lower third, the armed group forms a tight wedge advancing out of the haze. Overall, the composition balances the monumental masked portrait above against the small advancing survivors below, the palette shifts from bone white and gunmetal grey to desaturated olive and ash, the style is a gritty photorealistic sci-fi one-sheet with a specimen-portrait upper half, and the mood is bleak and watchful, heavy with quiet menace.