ensemble poster design — Oversized title with group, in muted palette, bottom title

A satirical political movie poster in a photorealistic style, set against a pale gray backdrop with a flowing red flag. In the upper-left corner, a large crimson flag billows, bearing a yellow five-pointed star and a yellow hammer-and-sickle emblem. The flag's rippled folds cast deep red shadows across the upper portion of the frame. In the upper-right corner, the pale gray background remains empty, letting the flag dominate the top of the design. Across the middle of the frame, five middle-aged men stand shoulder to shoulder in a tight overlapping row, all gazing upward and to the left. On the far left, a man with a dark mustache and slicked-back hair wears a tan military tunic with a matching tie. Next to him, an older man with wire-rimmed glasses, a gray mustache, and receding hair wears a dark brown suit, white shirt, and black tie. At the center, a gaunt man with round black spectacles and a stern expression wears a dark coat over a brown patterned suit. Beside him, a balding man with heavy-lidded eyes and a downturned mouth wears a light dress shirt and a patterned brown tie. On the far right, closest to the viewer, a stern man with short dark hair wears a dark green military dress uniform smothered in gold epaulettes, medal ribbons, and star-shaped orders. Small red star pins and striped ribbon bars repeat across the uniformed chests like a pattern. Below the row of faces, a narrow horizontal strip shows a dense crowd of onlookers in winter coats and fur hats gathered around a red-draped coffin carried by uniformed pallbearers. Behind the coffin, a vintage press camera on a tripod suggests newsreel coverage of the procession. At the right edge of the crowd strip, a cameraman in a gray uniform films the marchers. In the lower third of the frame, enormous blocky "TITLE" lettering in vivid red fills the width on two lines, the first shorter than the second. A small black five-pointed star replaces the dot over one letter of the second line, a dry visual joke. The bottom margin beneath the title is plain pale gray, giving the heavy red letters room to breathe. The lighting is bright and even, like overcast daylight, with soft shadows under the men's chins and the flag's folds catching luminous red highlights. Overall, the composition balances the stern horizontal row of faces against the giant red title below in a palette of crimson, pale gray, and muted military browns, in a polished photographic poster style that feels ironic, pompous, and darkly comic.