face-to-face poster — Multi-line title with two figures, centered composition

A horror movie poster captures two silhouetted figures facing each other across a dark wooden room, backlit by two tall windows. The room is drenched in deep shadow, its plank floorboards catching thin shafts of pale daylight that fall from the windows on either side. In the upper-left corner, a tall multi-paned window glows with overexposed white light, its wooden mullions reduced to dark lines. A matching window fills the upper-right corner with the same blown-out daylight, framing the scene in symmetry. On the left side of the frame, an adult woman with long dark hair sits cross-legged on the floor, her profile turned toward the center, her body nearly black against the window glare. On the right side, a bearded adult man in a hooded robe crouches opposite her, his hands clasped before him, his face lost in shadow. Near the top center, four lines of small white distressed serif capitals form a centered tagline rendered as the placeholder "TAGLINE". Between the two figures on the floor, a large geometric pattern glows faintly in white lines: concentric circles interlaced with a five-pointed star and triangular divisions, like a ritual diagram drawn in light. In the lower-left corner, a smaller triangular light pattern echoes the central design, while a similar angular line motif appears at the lower-right edge. Across the bottom, the placeholder "TITLE" appears in huge weathered white serif capitals with a grunge texture, each letter pitted and eroded. Beneath the title, a dense billing block of tiny credits runs in several lines, too small to read, followed by a row of small production-company logos. The wooden floorboards run from the foreground to the back wall, their grain visible in the dim red-brown gloom. Dust motes hang visible in the light shafts, and the window on the left shows faint curtain folds at its edges. The woman's loose clothing drapes in soft folds around her crossed legs, while the man's heavy robe pools on the floorboards beneath his crouch. A faint reflection of the glowing floor pattern shimmers on the polished wood between the two figures. The lighting is low-key and atmospheric: harsh backlight from the windows silhouettes both figures, thin volumetric light shafts cut through dusty air, and the glowing floor diagram casts a soft white radiance upward. Overall, the composition balances the two dark mirrored figures and twin windows around a glowing central floor pattern, in a palette of oxblood red, charred brown, and bone white, in a naturalistic horror style that feels solemn, ominous, and quietly dreadful.