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#L3467

split-screen poster — Stacked type lines with close-up on the left

L3467 · split-screen poster — Stacked type lines with close-up on the left. Explore the reference image and prompt, then open this composition in the layout tool.

L3467 · Stacked type lines with close-up on the left

Reference details

Layout ID
L3467

Reference prompts

Layout reference prompt

A split-layout movie poster divides the frame into two halves with a thin vertical line, each side dominated by a large profile portrait of an adult, with smaller romantic and criminal vignettes below. On the left side of the frame, a large close-up profile of an adult man with dark hair looks toward the right, his face softly lit against a warm gray background. In the upper-left corner, his forehead and hair fill the frame's edge. In the lower-left corner, a masked adult man in a dark balaclava aims a submachine gun toward the right, his gloved hands gripping the weapon. Beside the gunman, an adult man in a white coat faces an adult woman holding a black umbrella, the two standing close beneath a hazy cityscape. On the right side of the frame, a large close-up profile of an adult woman with light brown hair looks toward the left, strands of hair crossing her worried face. In the upper-right corner, her hair and forehead fill the frame's edge. In the lower-right corner, the same couple embraces forehead to forehead, the man kissing the woman's brow, while racing cars speed along a track behind them. Near the center, the thin vertical divider separates the two profiles, running from the top of the frame to the vignettes below. Across the top of the frame, the warm gray background glows softly behind both portraits. Across the lower third, large bold dark-navy condensed capital letters spell out "TITLE", with a smaller stacked line reading "TITLE" nested between the two main words. Along the bottom edge, the lettering sits above a pale warm-gray fade. The lighting is soft and cinematic, with warm key light sculpting the large profiles in gentle highlights and shadows, while the lower vignettes glow with dreamy bokeh light spots and the gunman's scene carries a cooler tense tone. Behind the vignettes, out-of-focus circles of light drift like bokeh across both halves. At the center of the frame, the two large faces almost touch across the divider. In the middle distance, the racing cars blur into motion behind the embracing couple. Overall, the composition balances the monumental mirrored profiles above with intimate story vignettes below and a commanding navy title anchoring the base, rendered in a polished romantic-thriller photographic style with a palette of warm gray, deep navy, and soft skin tones that feels passionate, dangerous, and bittersweet.