symmetrical composition — Two figures, with oversized title and multi-line title

A stylized cinematic movie poster builds a perfectly symmetrical composition from two rifle silhouettes framing a glowing central arch, set against a golden sky that shifts from scorched umber at the top to pale cream at the bottom. Behind the composition, the upper background is a dark maroon-brown wash with rough paper texture, melting downward into intense amber and then soft golden yellow. In the upper-left corner, the first rifle rises vertically, its buttstock, scope ring, and trigger guard drawn as flat dark silhouettes against the light. In the upper-right corner, a mirrored rifle rises to meet it, its curved magazine and foregrip forming an identical dark shape. Across the top center, the two rifles tilt inward until their muzzles nearly touch, tracing the outline of a tall pointed arch in the Mughal style. Through the arch opening, the sky burns at its brightest, a dense field of warm golden grain suggesting radiant heat. At the center of the arch, the silhouette of a domed palace floats in the glow, its onion dome capped by a slim spire and ringed with tiny slit windows. Beneath the dome, the palace spreads into long low wings on both sides, rows of small arched windows dissolving into the golden haze. On the left side of the frame, one rifle barrel runs straight down along the edge, its magazine and pistol grip visible as simplified dark geometry. On the right side of the frame, the mirrored barrel descends the same way, its foregrip and muzzle ending just above the lower third. Across the lower third, an enormous bold condensed sans-serif "TITLE" stacks in two lines, its dark chocolate-brown letters towering over the palace silhouette above. Just below the title, two thin horizontal rules bracket a smaller line of delicate script in a South Asian writing system, set in the same dark brown as a "TAGLINE". In the lower-left and lower-right corners, the rifle muzzles terminate above a broad empty field of pale cream that fills the bottom of the frame. Along the very bottom edge, the cream field carries faint paper grain and soft smudges that give the poster a weathered printed feel. The lighting is a radiant backlit glow pouring from the center of the arch, bleaching the sky to gold while the rifles, palace, and lettering hold as flat dark silhouettes. Overall, the mirrored rifles lock the design into strict bilateral symmetry, the palette burns with scorched amber, golden yellow, and dark chocolate brown on cream, the style is flat graphic poster art with gritty print texture, and the mood is solemn, tense, and monumental.