split-screen poster — Top title with close-up, in vivid palette

A cinematic movie poster is divided into three horizontal bands, showing a wartime beach evacuation, a typewriter-style title, and a field of red poppies, rendered in a photorealistic style. In the upper-left corner, a close profile of an adult man in his late twenties fills the left third of the top band, his dark tousled hair and downturned gaze directed toward the lower right, a green military jacket and canvas backpack on his shoulder. The man's cheekbone and jaw catch a soft cool light, his expression somber. Across the top band behind him, a vast crowd of soldiers in dark uniforms gathers on a smoke-hazed beach, with a ruined building, a skeletal bandstand, and drifting clouds filling the overcast sky. In the upper-right corner, the gray clouds brighten toward a pale sun, while black smoke rises from a burning ship's hull at the right edge. In the middle of the poster, a narrow band of pale blue-gray sky separates the panels. In the left part of this middle band, an adult woman in a white dress walks away from the viewer toward the horizon, her figure small against the empty sky. At the center of the middle band, the word "TITLE" appears in large black typewriter-style capital letters with uneven, stamped edges. The stamped letters of the title show slight ink bleed at their edges. In the bottom band, a sunlit field of red poppies and tall green grass fills the lower half of the frame. In the lower-left and center, the poppy field stretches in dense red and green detail, the blossoms sharp in the foreground. In the lower-right corner, a close-up of an adult woman in her thirties occupies the right third, her dark curly hair pulled back loosely, her gaze directed to the left, wearing a cream blouse with a faded floral pattern. Across the lower edge, the green stems and red petals of the poppies crop out of the frame. Behind the woman, the poppy field blurs softly toward the horizon line. The lighting shifts between the panels: cool, diffused overcast light over the top beach scene; flat pale light in the title band; and warm golden sunlight raking across the poppy field and the woman's face below. The composition stacks three contrasting registers in a balanced vertical triptych, where a realist cinematic style, a palette of battle-gray, pale sky blue, and vivid poppy red, and a mood of melancholy longing and loss converge.