collage poster design — Oversized title, group, overlapping

An illustrated movie poster of overlapping floating heads in fiery orange light, set on a white ground with rough torn black paint-stroke borders. In the upper-left background, a nighttime city street stretches into the distance, with utility poles, dark buildings, and a flaring orange streetlight glow. In the upper-right corner, a very large weathered face of an older man with graying hair and a mustache looms, half dissolved into the painted edge. On the left side of the frame, a middle-aged man in a dark coat thrusts a revolver directly toward the viewer, his eyes locked on the camera. The gun's muzzle and cylinder catch bright orange highlights. Below him, at the middle-left, the profile of a gray-haired older man in a dark shirt looks downward. Near the center of the poster, an adult woman with pulled-back hair appears in small profile, facing left. On the right-center, an adult man with short curly hair turns in three-quarter profile, his face strongly rimmed in orange light. Below him, a bald adult man glares sideways with a tense, suspicious expression. In the lower-center, three full-body adult figures stand side by side in dark tactical clothing and masks, holding weapons; the middle figure wears a rectangular white ID badge on his chest. The figures stand against a bright horizontal lens flare of yellow-orange light. Along the left and right edges, thick vertical black brush strokes frame the collage like torn paint. The brush strokes drip downward into thin streaks above the title. In the lower-left corner, the black strokes dissolve into scattered specks on the white ground. In the lower-right corner, the white ground stays clean beneath the title's final letters. Across the bottom, a two-line title in large black distressed stencil capitals reads "TITLE" on the white ground. The lighting is dramatic and artificial, a hot orange backlight rimming every face while deep red-violet shadows pool in the painted texture. The palette burns with ember orange, molten yellow, and charcoal black against the stark white margins. The overall composition crowds its portraits into a dense vertical column at the left and center, the white right margin balancing the heat of the painted mass, in a palette of fire orange and soot black rendered in gritty painterly illustration, carrying a tense and lawless mood of impending violence.