minimalist poster design — Silhouette, with diagonal composition and bottom title

A minimalist movie poster reduces an adult man and a cow to stark black-and-white silhouettes, sharp red accents cutting across the composition on a plain white ground. The background is a flat unmodulated white that fills the entire frame, offering no scenery or texture. In the upper-left corner, the white background stands completely empty, balancing the dense black mass below. In the upper-right corner, the man's black hair nearly touches the frame edge. In the upper-center of the frame, the black silhouette of an adult man with thick dark hair and a heavy mustache looms, his face rendered in high-contrast stencil style with white highlights carving out his eyes and cheekbones. A small white highlight flicks across the man's forehead, the only break in his black mass. The adult man's eyes stare directly forward, his expression solemn and weary. Across the center of the frame, the man cradles the pure white silhouette of a cow, its head tilted upward and its body angled diagonally. The cow's form is simplified to smooth unbroken white shapes, its ear, muzzle, and legs suggested with minimal lines. The cow's tail curls into a thin white hook against the black ground of the man's body. Around the cow's neck, a thin red collar and lead rope stand out as the composition's strongest color accent, the rope trailing off toward the lower-left corner. Across the cow's torso, a large black Persian calligraphic wordmark flows in bold sweeping strokes, the film's title in Persian replaced here by the placeholder "TITLE". On the left edge of the frame, two sharp red triangular shards pierce inward from the white margin. On the right edge, two matching red triangles jut into the composition at different heights. In the lower-center of the frame, the English title appears in red serif lettering, a small word above the large word "TITLE", the classical evenly spaced letters matching the collar and shards in color. In the lower-right corner, the cow's hind leg extends to the frame's edge, its hoof cropped. The silhouettes' edges are razor sharp throughout, with no gradients or soft transitions anywhere in the image. The lighting is entirely graphic rather than naturalistic: pure flat black and white shapes with no shadows or modeling, the red elements sitting on the surface like cut paper. The overall composition balances the heavy black figure above against the luminous white animal below, the severe black-white-and-red palette, stencil-poster style, and interlocking silhouettes creating a mood of stark, mournful symbolism.