portrait poster design — Oversized Title, Stacked Lines, Credit Block

An illustrated movie poster in a flat mid-century cartoon style shows a lanky adult postman holding a bicycle wheel, with the title stacked on the left against a warm beige ground. The background is an untextured warm beige that fills the entire frame. Along the top edge of the frame, a string of triangular pennants in red, white, and blue cuts across from corner to corner. In the upper-left quadrant, a tall hand-lettered title in two tiers reads "TITLE", the upper tier in blue and the lower tier mixing blue and red, with narrow irregular hand-drawn strokes. Below the title, a small hand-lettered credit line reads "A FILM BY" followed by "DIRECTOR NAME". Two small white cloud shapes drift near the top center, just right of the title. The postman dominates the right half of the frame, drawn much taller than the title block and shown in right profile. He is an adult man with a lean angular body, a small dark mustache, and one visible eye drawn as a simple blue-ringed circle. He wears a dark charcoal-gray double-breasted uniform with white piping and three pale buttons, a matching peaked cap, and a white mail satchel slung across his torso. The charcoal uniform is shaded with rough visible hatching strokes that give it a hand-drawn grain. Below the tunic, his plain white trousers fade into the beige ground with no shoes visible. His right hand grips the rim of a large bicycle wheel that fills the bottom-right corner of the frame. The wheel's thin spokes radiate from a small dark hub, and its slightly bent oval shape gives it a wobbly cartoon tilt. Across the center of the frame, the beige ground runs empty between the title and the postman's torso. In the lower-left quadrant, pale gray silhouettes depict a carousel with horses, a tall flagpole flying a pennant, and a string of small triangular flags. In the bottom-left corner, the carousel silhouette sits small and distant. A single small balloon floats above the carousel in the gray silhouette layer. The lighting is flat and even, like printed daylight with no cast shadows, so all forms sit cleanly on the beige ground with a soft paper-like texture. The composition balances the tall figure on the right against the stacked title and village silhouettes on the left, its restrained palette of beige, charcoal gray, and tricolor accents producing a playful retro cartoon style with a lighthearted festive mood.