vertical typography — Two figures with monochrome and high contrast

A horror movie poster pairs two floating monochrome faces with a straight razor and a blood-slashed title, set against a pale gray background. The background is a flat, pale warm gray, empty and untextured except for faint grain. In the upper-left quadrant, a large adult woman's face in black and white stares directly forward, her straight pale hair parted in the middle and her eyes ringed with heavy dark makeup. In the upper-right quadrant, a second adult woman's face in black and white looks slightly off-camera, her curly pale hair voluminous and her lips darkened. In the upper-right corner, the gray background remains untouched behind the second face. Between the two faces, a narrow gap of gray separates their profiles. Both faces are rendered in high-contrast photographic halftone, their edges softly dissolving into the gray. On the left side of the frame, a black straight razor stands vertically, its long curved handle glossy with a single pale rivet near the top. The razor's edge tucks against the title's left side, its tip pointing downward. Across the middle third, a stylized title in looping script and bold block letters reads "TITLE", the letters white with a thin red outline and a darker red drop shadow. The script lettering curls extravagantly, its capital letters oversized. Beneath the title, a horizontal white band carries a jagged slash of bright red blood across its center, with a few small droplets scattered around it. Below the band, a small black-and-white ink illustration shows an adult woman with wild hair falling backward as a dark cloaked figure looms over her. The ink drawing is loose and sketchy, its lines rough against the smooth gray field. Along the right edge, the gray field stays unbroken beside the illustration. In the lower-left corner, the pale gray stretches empty to the bottom edge. The lighting is flat and even, like a scanned print, with no strong shadows and only the razor's gloss suggesting a light source. The final composition stacks the two staring faces above the razor and the slashed title in a spare vertical column, in a monochrome gray palette pierced by blood red, a retro exploitation-poster style, and a mood of cold predatory menace.